Pavilion Poetry

Sarah Corbett
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Liverpool University Press

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19 November 2019

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14 March 2018
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Walking, getting lost, and finding that home is half way between refuge and a place to look out from at the unsettling and unsettled world, are the dominant themes in Sarah Corbett's fifth collection. Written from an intimate knowledge of the countryside of the Calder Valley, many of these poems respond to a landscape as beautiful as it is disquieting, troubled by a warming climate and by violence and loss both public and private. A central sequence – part found poem, part assemblage – draws on the Grasmere Journals of Dorothy Wordsworth, poems that question the nature of the visionary, the in-between worlds that this poet claims as her territory; here nature is held up as a mirror where we might see ourselves and our actions reflected. Over all haunts the presence-in-absence of Sylvia Plath, whose burial place the author can see from her bedroom window. Throughout, interior lights – a train on a dark morning, a sudden snowfall, moonlight and starlight, sun on lake water, the love between a parent and child – attempt to balance the darkness.

Emily Hasler
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Liverpool University Press

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19 November 2019

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14 March 2018
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Emily Hasler's debut collection moves between the local and the distant, the urban and the rural, and past and present. This is a poetry of emotional density underpinned with a lightness of touch. Hasler's poems are structural but organic, detailed but lively, thoughtful but playful. There is a rare combination of exactitude and wonder which leads the reader in and keeps them there.Often taking their cue from the work of visual artists, these poems probe at the ways we understand and reconstruct our environment. Examining places, objects, buildings, landscapes, rivers and bridges, these poems ask how our world is made, and how it makes us.

Alice Miller
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Liverpool University Press

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19 November 2019

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14 March 2018
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Poetry Book Society Recommendation, Summer 2018. Is nowhere a place we can get closer to? In her compelling second collection, Alice Miller tackles the circularity of thought, the company of the dead, and the lure of alternative futures. These poems rip into pockets of histories, trying to change facts and voices, searching for the word's version of music's home key. They dare you to visit, through a series of cities, the futures we never let happen.

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