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16 - Approaching Ottoman Cultural History

Affect, Performance, and Aurality

from Part II - Perspectives and Methods

Published online by Cambridge University Press:  31 May 2025

Alexis Wick
Affiliation:
Koç University, Istanbul
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Summary

This chapter summarizes recent trends and future possibilities in Ottoman cultural history with two main foci. First, we underline the potential of cultural history to go beyond formal categories (such as occupation, ethnicity, or religion), specifically through the concept of emotional communities. Second, we highlight performance studies as a fruitful venue of study that challenges the reduction of culture to written texts, with a particular emphasis on the aural dimensions of history. Together, these two approaches challenge presuppositions about a monolithic, single Ottoman culture. While highlighting methodological insights from the broader subfields of performance studies, sound studies, and the history of emotions, we simultaneously underline the specific challenges of applying these methods in Ottoman history.

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Publisher: Cambridge University Press
Print publication year: 2025

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References

Suggested Further Reading

And, M. 1987, Culture, Performance and Communication in Turkey, Tokyo: Institute for the Study of Languages and Cultures of Asia & AfricaGoogle Scholar
Dankoff, R. 2006, An Ottoman Mentality: The World of Evliya Çelebi, Leiden: BrillCrossRefGoogle Scholar
Faroqhi, S. 2000, Subjects of the Sultan: Culture and Daily Life in the Ottoman Empire, London: I. B. TaurisGoogle Scholar
Georgeon, F. and Dumont, P. (eds.), 1997, Vivre dans l’Empire ottoman: sociabilités et relations intercommunautaires (XVIIIe-XXe siècles), Paris: L’HarmattanGoogle Scholar
Kafadar, C. 2007, “A Rome of One’s Own: Reflections on Cultural Geography and Identity in the Lands of Rum,Muqarnas, 24, pp. 726CrossRefGoogle Scholar
Wishnitzer, A. 2021, As Night Falls: Eighteenth-Century Ottoman Cities after Dark, Cambridge: Cambridge University PressCrossRefGoogle Scholar

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