Skip to main content Accessibility help
×
Hostname: page-component-5b777bbd6c-w9n4q Total loading time: 0 Render date: 2025-06-19T23:36:57.321Z Has data issue: false hasContentIssue false

7 - Explanations for the shape of intellectual property law

Published online by Cambridge University Press:  29 May 2025

Brad Sherman
Affiliation:
Griffith University, Queensland
Lionel Bently
Affiliation:
King's College London
Get access

Summary

Valuing intangible property

In previous chapters we argued that mental or creative labour, the sweat of the brain rather than of the body, acted as a common denominator which united those areas of the law which we habitually regard as making up intellectual property law. In this chapter, our aim is to explain how and why it was that, within the more general category, patents, designs, copyright and (eventually) trademarks were carved out as separate and discrete areas of law. Although we recognise the important role played by the environment in which the law operates in shaping intellectual property law, our primary focus here - in line with our primary concern in exploring legal doctrine - is on those factors within the law that helped to shape the particular form that intellectual property law ultimately took. We will show that in spite of what many present-day commentators would have us believe, the emergence of modern intellectual property law was neither natural nor inevitable, nor was it an example of the law coming to occupy its proper philosophical position. Rather, the separation of intellectual property law into its now familiar categories was the product of a complex and changing set of circumstances.

In explaining the factors that helped to determine the shape of intellectual property law we wish to highlight two further points. First, we argue that the shape intellectual property law took, as well as the way this mode of organisation was explained, were strongly influenced by the particular type of subject matter that was protected and the way in which that subject matter was interpreted. Whilst we recognise that a range of factors helped to determine the shape of intellectual property law, it is not too far from the truth to say that the way in which the subject matter of intangible property was perceived is the key organising factor used to explain the shape that the categories took. At the same time we wish to show that the organisational role played by the subject matter of intellectual property law itself was to change over time. We hope not only to show the historically contingent nature of the legal categories and the way in which they were explained, but to highlight more clearly the non-natural and non-philosophical nature of intellectual property law.

Type
Chapter
Information
The Making of Modern Intellectual Property Law
The British Experience, 1760-1911
, pp. 141 - 158
Publisher: Cambridge University Press
Print publication year: 1999

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Book purchase

Temporarily unavailable

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×