Published online by Cambridge University Press: 15 May 2025
The chapter deals with fidelity of form: after briefly considering prose translations of Virgil, I analyse the wide range of choices of metre for the Eclogues, Georgics and Aeneid. One of the largest issues facing any translator is whether or not to attempt to find an equivalent of Virgil’s dactylic hexameter. After discussion of prosody wars in French and English, I examine Italian Aeneids in depth and then metrical experimentation in English translations from the sixteenth to the nineteenth centuries. The final portion of the chapter is devoted to the hexameter in the hands of translators into German, Slovenian, Russian, Czech, Slovak, Finnish and Hungarian, with a glance at twenty-first-century hexameter translations in Italian and English. Throughout I explore the ideological significance attached to the chosen metre by analysing the familiar cultural paradigms invoked by each choice. There are two axes on which choice of metre can be located: past/present and home-grown/foreign.
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