Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
120 - Richard Burbage
from Part XIII - Shakespeare’s Fellows
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 919 - 923Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Edmond, Mary. “Yeomen, Citizens, Gentlemen and Players: The Burbages and Their Connections.” Elizabethan Theater: Essays in Honor of S. Schoenbaum. Ed. Parker, R. B. and Zitner, S. P.. Newark: U of Delaware P, 1996. 30–49.Google Scholar
Egan, Gabriel. “The Theatre in Shoreditch, 1576–1599.” The Oxford Handbook of Early Modern Theatre. Ed. Dutton, Richard. Oxford: Oxford UP, 2009. 168–85.Google Scholar
Honigmann, Ernst, and Brock, Susan. Playhouse Wills, 1558–1642: An Edition of Wills by Shakespeare and His Contemporaries in the London Theatre.Manchester: Manchester UP, 1993.Google Scholar
Ingram, William. The Business of Playing: The Beginnings of the Adult Professional Theater in Elizabethan London. Ithaca: Cornell UP, 1992.CrossRefGoogle Scholar
Kathman, David. “The Life and Times of George Birche, Tudor Royal Interluder.” Research Opportunities in Medieval and Renaissance Drama 49 (2010): 1–27.Google Scholar
Kathman, David. “Reconsidering the Seven Deadly Sins.” Early Theatre 7.1 (2004): 13–44.CrossRefGoogle Scholar
Wallace, Charles William. The First London Theatre: Materials for a History. New York: Benjamin Blom, 1969.Google Scholar
Further reading
Berry, Herbert. “Playhouses, 1560–1660.” English Professional Theatre, 1530–1660. Ed. Wickham, Glynne, Berry, Herbert, and Ingram, William. Cambridge: Cambridge University Press, 2000. 285–674.Google Scholar
Gurr, Andrew. The Shakespeare Company, 1594–1642. Cambridge: Cambridge University Press, 2004.Google Scholar
Riddell, James A. “Some Actors in Ben Jonson’s Plays.” Shakespeare Studies 5 (1969): 285–98.Google Scholar
Stopes, Charlotte Carmichael. Burbage and Shakespeare’s Stage. London: De La More, 1913.Google Scholar