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120 - Richard Burbage

from Part XIII - Shakespeare’s Fellows

Published online by Cambridge University Press:  17 August 2019

By
David Kathman
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

BlackfriarsBlackfriars (playhouse)Cross KeysGlobe (playhouse)Hayes (Kent)King’s MenSouthwarkSt. Giles’s CripplegateSt. Leonard’s Shoreditchthe Theatre (playhouse)
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 919 - 923
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Chambers, E. K. The Elizabethan Stage. 4 vols. Oxford: Clarendon, 1923.Google Scholar
Eccles, Mark. “Elizabethan Actors, I: A–D.” Notes and Queries 236 (1991): 43–44.Google Scholar
Edmond, Mary. “Yeomen, Citizens, Gentlemen and Players: The Burbages and Their Connections.” Elizabethan Theater: Essays in Honor of S. Schoenbaum. Ed. Parker, R. B. and Zitner, S. P.. Newark: U of Delaware P, 1996. 30–49.Google Scholar
Egan, Gabriel. “The Theatre in Shoreditch, 1576–1599.” The Oxford Handbook of Early Modern Theatre. Ed. Dutton, Richard. Oxford: Oxford UP, 2009. 168–85.Google Scholar
Honigmann, Ernst, and Brock, Susan. Playhouse Wills, 1558–1642: An Edition of Wills by Shakespeare and His Contemporaries in the London Theatre.Manchester: Manchester UP, 1993.Google Scholar
Ingram, William. The Business of Playing: The Beginnings of the Adult Professional Theater in Elizabethan London. Ithaca: Cornell UP, 1992.CrossRefGoogle Scholar
Kathman, David. “The Life and Times of George Birche, Tudor Royal Interluder.” Research Opportunities in Medieval and Renaissance Drama 49 (2010): 1–27.Google Scholar
Kathman, David. “Reconsidering the Seven Deadly Sins.” Early Theatre 7.1 (2004): 13–44.CrossRefGoogle Scholar
Nungezer, Edwin. A Dictionary of Actors. New Haven: Yale UP, 1929.Google Scholar
Wallace, Charles William. The First London Theatre: Materials for a History. New York: Benjamin Blom, 1969.Google Scholar

Further reading

Berry, Herbert. “Playhouses, 1560–1660.” English Professional Theatre, 1530–1660. Ed. Wickham, Glynne, Berry, Herbert, and Ingram, William. Cambridge: Cambridge University Press, 2000. 285–674.Google Scholar
Gurr, Andrew. The Shakespeare Company, 1594–1642. Cambridge: Cambridge University Press, 2004.Google Scholar
Riddell, James A. “Some Actors in Ben Jonson’s Plays.” Shakespeare Studies 5 (1969): 285–98.Google Scholar
Stopes, Charlotte Carmichael. Burbage and Shakespeare’s Stage. London: De La More, 1913.Google Scholar

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