Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-25T20:36:44.956Z Has data issue: false hasContentIssue false

Chapter 3 - Black Women’s 1930s Protest Fiction

from Part I - Productive Precarity and Literary Realism

Published online by Cambridge University Press:  25 March 2022

Eve Dunbar
Affiliation:
Vassar College, New York
Ayesha K. Hardison
Affiliation:
University of Kansas
Get access

Summary

The 1930s and the onset of the Great Depression mark a generic and geographic detour that illuminates Black women writers’ radical aims. Their short stories extend and revise aesthetics associated with New Negro women’s writing, like domesticity and racial passing. Black women’s protest short fiction also disrupts the masculinist character of proletarianism by demonstrating how gender and sexuality complicate notions of work, radical politics, and desire. These writers supplant urban crisis narratives with an emphasis on everyday struggles – to find work, to secure decent housing, to raise children, often alone, and to deal with racial as well as intimate partner violence. Their emphasis on intimacy attests to the roots of Black women’s protest traditions in nineteenth-century abolitionism. The intersectional approaches of 1930s writers anticipate not only the postwar fiction of writers like Ann Petry, Gwendolyn Brooks, Lorraine Hansberry, and Alice Childress but also Black feminist writing in the latter part of the twentieth century by Toni Cade Bambara, Toni Morrison, Louise Meriwether, Gloria Naylor, and Alice Walker, among others.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bascom, Lionel. The Last Leaf of Harlem: Selected and Newly Discovered Fiction by the Author of The Wedding. New York: St. Martin’s Press, 2008.Google Scholar
Boehm, Lucille. “Condemned House.” Opportunity 17, no. 6 (June 1939): 168169.Google Scholar
Boehm, LucilleSunday.” The Crisis 47, no. 5 (May 1940): 141142 and 154.Google Scholar
Boehm, LucilleTwo-Bit Piece.Opportunity 17, no. 7 (July 1939): 201202.Google Scholar
Bone, Robert, Courage, Richard A., and Singh, Amritjit. The Muse in Bronzeville: African American Creative Expression in Chicago, 1932–1950. Piscataway, NJ: Rutgers University Press, 2011.Google Scholar
Bonner, Marita. Frye Street & Environs: The Collected Works of Marita Bonner. Boston: Beacon Press, 1987.Google Scholar
Campbell, Hazel Vivian. “Part of the Pack.” Opportunity 13, no. 8 (August 1935): 234–237 and 251.Google Scholar
Campbell, Hazel VivianThe Parasites.” Opportunity 14, no. 9 (September 1936): 267271.Google Scholar
Carpio, Glenda, and Sollors, Werner. “Five Stories by Zora Neale Hurston.Amerikastudien/American Studies 55, no. 4 (2010): 557560.Google Scholar
Currell, Susan. The March of Spare Time: The Problem and Promise of Leisure in the Great Depression. Philadelphia: University of Pennsylvania Press, 2010.Google Scholar
Dalsgård, Katrine. “Alive and Well and Living on Martha’s Vineyard: An Interview with Dorothy West October 29, 1988.” Langston Hughes Review 12, no. 2 (Fall 1993): 2844.Google Scholar
Gardner, Eric, and Moody, Joycelyn. “Introduction: Black Periodical Studies.” American Periodicals 25, no. 2 (2015): 105111.Google Scholar
Griffin, Farah Jasmine. “Who Set You Flowin’?”: The African-American Migration Narrative. New York: Oxford University Press, 1995.Google Scholar
Hartman, Saidiya. “The Belly of the World: A Note on Black Women’s Labors.” Souls 18, no. 1 (2016): 166173.Google Scholar
Hartman, Saidiya Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval. New York: Norton, 2019.Google Scholar
Hurston, Zora Neale. The Complete Stories. New York: Harper Perennial, 1996.Google Scholar
Jackson, Lawrence P. The Indignant Generation: A Narrative History of African American Writers and Critics, 1934–1960. Princeton, NJ: Princeton University Press, 2011.Google Scholar
Johnson, Abby Arthur, and Johnson, Ronald Maberry. Propaganda and Aesthetics: The Literary Politics of Afro-American Magazines in the Twentieth Century. Dartmouth: University of Massachusetts Press, 1991.Google Scholar
Jones, Sharon L. Rereading the Harlem Renaissance: Race, Class, and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West. Westport, CT: Greenwood Press, 2002.Google Scholar
Locke, Alain. “Black Truth and Black Beauty: A Retrospective Review of the Literature of the Negro for 1932.” Opportunity 11, no. 1 (1933): 1418.Google Scholar
Locke, AlainThe Negro: ‘New’ or Newer, A Retrospective Review of the Literature of the Negro for 1938.” Opportunity 17, no. 1 (January 1939): 410.Google Scholar
McDowell, Deborah. “The Neglected Dimension of Jessie Redmon Fauset.” In Conjuring: Black Women, Fiction, and Literary Tradition, eds. Pryse, Marjorie and Spillers, Hortense, 86104. Bloomington: Indiana University Press, 1985.Google Scholar
McKay, Claude. A Long Way from Home. New Brunswick, NJ: Rutgers University Press, 2007.Google Scholar
Minus, Marian. “Present Trends of Negro Literature.” Challenge 2, no. 1 (1937): 911.Google Scholar
Mitchell, Verner D., and Davis, Cynthia. Where the Wild Grape Grows: Selected Writings, 1930–1950 [Dorothy West]. Amherst: University of Massachusetts Press, 2005.Google Scholar
Morrison, Toni. “Foreword.” In Writing Red: An Anthology of American Women Writers, 1930–1940, eds. Nekola, Charlotte and Rabinowitz, Paula, ixx. New York: Feminist Press at the City University of New York, 1987.Google Scholar
Mullen, Bill. Popular Fronts: Chicago and African-American Cultural Politics, 1935–46. Urbana: University of Illinois Press, 1999.Google Scholar
Musser, Judith. “African American Women’s Short Stories in the Harlem Renaissance: Bridging a Tradition.” MELUS 23, no. 2 (1998): 2747.Google Scholar
Musser, Judith “Girl, Colored” and Other Stories: A Complete Short Fiction Anthology of African American Women Writers in The Crisis Magazine, 1910–2010. Jefferson, NC: McFarland & Co., 2011.Google Scholar
Sherrard-Johnson, Cherene. Dorothy West’s Paradise: A Biography of Class and Color. New Brunswick, NJ: Rutgers University Press, 2012.Google Scholar
Stewart, Jeffrey C. The New Negro: The Life of Alain Locke. New York: Oxford University Press, 2018.Google Scholar
Tate, Claudia. Domestic Allegories of Political Desire: The Black Heroine’s Text at the Turn of the Century. New York: Oxford University Press, 1992.Google Scholar
Wall, Cheryl A. Women of the Harlem Renaissance. Bloomington: Indiana University Press, 1995.Google Scholar
West, Dorothy. “Dear Reader.” Challenge 1, no. 1 (March 1934): 140.Google Scholar
West, DorothyDear Reader,” Challenge 2, no. 1 (April 1937): 143.Google Scholar
West, Dorothy The Richer, the Poorer: Stories, Sketches, and Reminiscences. New York: Doubleday, 1995.Google Scholar
Wilks, Jennifer. Race, Gender, and Comparative Black Modernism: Suzanne Lacascade, Marita Bonner, Suzanne Césaire, Dorothy West. Baton Rouge: Louisiana State University Press, 2008.Google Scholar
Wilson, Harriet E. Our Nig, Or, Sketches from the Life of a Free Black. New York: Penguin Books, 2005.Google Scholar
Wright, Richard. Native Son. New York: Harper Perennial, 2005.Google Scholar
Wynbush, Octavia B.The Noose.” Opportunity 9, no. 12 (December 1931): 369371.Google Scholar
Wynbush, Octavia B.Ticket Home.” The Crisis 46, no. 1 (January 1939): 78, 2930.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×