Introduction: Props and Scenery

Summary

Without contradiction, this land is the best of all for the life of man: the air is exceptionally healthful, and the soil extremely fertile; all that is before you is delightful and pleasing to the human eye to a great degree.

In 1519, Hernán Cortés advanced on Aztec Mexico to accomplish the foremost event of America's conquest. Launching from Cuba, his armies sailed the coral reefs of Cozumel, marched through rainforests in Vera Cruz, skirted smoking volcanoes in the Sierra Madre, and crossed the reflective lakes of the Valley of Mexico, some of the earth's most stunning and diverse geography. Remarkably, the conquistadors had very little to say about the nature they encountered along their paths to empire. Nature was unacknowledged, taken for granted. The conquest's chroniclers – Cortés, Francisco López de Gómara, Bernal Díaz del Castillo – emphasized, rather, the subjugation of an exotic American culture, an antagonist whose story and defeat were worthy of the telling. American nature, it was assumed, had already been conquered by Amerindian cultures. America's human empires might resist for a time, but nature would supinely yield her possessions immediately upon the transfer of imperial title to her new rulers.

Cortés and his men shared a limited although all too common view of history, one in which men of professed superior culture, technology, and religion succeed one another in an unbroken chain as rulers of civilization.