Book contents
- The Art and Archaeology of the Aegean Bronze Age
- The Art and Archaeology of the Aegean Bronze Age
- Copyright page
- Contents
- Figures
- Introduction
- Part I Aegean Neolithic Art
- Part II The Art of the Aegean Early Bronze Age
- Part III Aegean Art in the Cretan First Palace Period
- Part IV Aegean Art in the Second Palace Period
- Part V Aegean Art in the Cretan Second Palace Period
- Part VI Aegean Art in the Final Palatial Period of Knossos
- Part VII Aegean Art of the Mainland Mycenaean Palatial Period
- Chapter 41 Artworks in Context
- Chapter 42 Architecture
- Chapter 43 Mycenaean Painting
- Chapter 44 The End of Aegean Glyptic
- Chapter 45 Mycenaean Ivories of LH IIIA2–B
- Chapter 46 Other Relief Arts
- Chapter 47 Mycenaean Art and ‘International Art’
- Chapter 48 Artworks in the Round
- Chapter 49 Pottery Production
- Part VIII Aegean Art at the End of the Bronze Age
- Afterword Aegean Art Through Forgers’ Eyes
- References
- Index
- Plate Section (PDF Only)
- References
Chapter 41 - Artworks in Context
The Historical Framework
from Part VII - Aegean Art of the Mainland Mycenaean Palatial Period
Published online by Cambridge University Press: 19 May 2022
- The Art and Archaeology of the Aegean Bronze Age
- The Art and Archaeology of the Aegean Bronze Age
- Copyright page
- Contents
- Figures
- Introduction
- Part I Aegean Neolithic Art
- Part II The Art of the Aegean Early Bronze Age
- Part III Aegean Art in the Cretan First Palace Period
- Part IV Aegean Art in the Second Palace Period
- Part V Aegean Art in the Cretan Second Palace Period
- Part VI Aegean Art in the Final Palatial Period of Knossos
- Part VII Aegean Art of the Mainland Mycenaean Palatial Period
- Chapter 41 Artworks in Context
- Chapter 42 Architecture
- Chapter 43 Mycenaean Painting
- Chapter 44 The End of Aegean Glyptic
- Chapter 45 Mycenaean Ivories of LH IIIA2–B
- Chapter 46 Other Relief Arts
- Chapter 47 Mycenaean Art and ‘International Art’
- Chapter 48 Artworks in the Round
- Chapter 49 Pottery Production
- Part VIII Aegean Art at the End of the Bronze Age
- Afterword Aegean Art Through Forgers’ Eyes
- References
- Index
- Plate Section (PDF Only)
- References
Summary
The Mycenaean palatial period can be compared to the peak of the Cretan Second Palace period of Late Minoan (LM) I, in terms of both its length and splendour. It lasts for around 150 years, from the appearance c.1350 bc of the palaces at Pylos, Mycenae, Tiryns, and Thebes until their disappearance c.1200 bc. In terms of relative chronology, it includes a first phase (Late Helladic (LH) IIIA2), defined by a ceramic style that comes to an end in the last third of the fourteenth century bc (M. Wiener, BSA 98, 2003, 239–50; D. Aston, in Gauss 2011, 1–12). The following phase (LH IIIB), which spans the thirteenth century bc, is itself subdivided in two parts (B1 and B2), separated by significant destructions, particularly at Mycenae and Tiryns. Around 1200 bc, the palaces are destroyed, never to be rebuilt; all signs of the existence of an administration (writing on tablets, sealings) disappear.
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- The Art and Archaeology of the Aegean Bronze AgeA History, pp. 393 - 397Publisher: Cambridge University PressPrint publication year: 2022