Book contents
- The Art and Archaeology of the Aegean Bronze Age
- The Art and Archaeology of the Aegean Bronze Age
- Copyright page
- Contents
- Figures
- Introduction
- Part I Aegean Neolithic Art
- Part II The Art of the Aegean Early Bronze Age
- Part III Aegean Art in the Cretan First Palace Period
- Chapter 12 Artworks in Context
- Chapter 13 Minoan Architecture in the First Palace Period
- Chapter 14 Minoan Glyptic in the First Palace Period
- Chapter 15 Other Minoan Relief Arts
- Chapter 16 Artworks in the Round
- Chapter 17 Minoan Pottery
- Chapter 18 Mainland Greece and the Islands in the First Palace Period
- Part IV Aegean Art in the Second Palace Period
- Part V Aegean Art in the Cretan Second Palace Period
- Part VI Aegean Art in the Final Palatial Period of Knossos
- Part VII Aegean Art of the Mainland Mycenaean Palatial Period
- Part VIII Aegean Art at the End of the Bronze Age
- Afterword Aegean Art Through Forgers’ Eyes
- References
- Index
- Plate Section (PDF Only)
- References
Chapter 13 - Minoan Architecture in the First Palace Period
from Part III - Aegean Art in the Cretan First Palace Period
Published online by Cambridge University Press: 19 May 2022
- The Art and Archaeology of the Aegean Bronze Age
- The Art and Archaeology of the Aegean Bronze Age
- Copyright page
- Contents
- Figures
- Introduction
- Part I Aegean Neolithic Art
- Part II The Art of the Aegean Early Bronze Age
- Part III Aegean Art in the Cretan First Palace Period
- Chapter 12 Artworks in Context
- Chapter 13 Minoan Architecture in the First Palace Period
- Chapter 14 Minoan Glyptic in the First Palace Period
- Chapter 15 Other Minoan Relief Arts
- Chapter 16 Artworks in the Round
- Chapter 17 Minoan Pottery
- Chapter 18 Mainland Greece and the Islands in the First Palace Period
- Part IV Aegean Art in the Second Palace Period
- Part V Aegean Art in the Cretan Second Palace Period
- Part VI Aegean Art in the Final Palatial Period of Knossos
- Part VII Aegean Art of the Mainland Mycenaean Palatial Period
- Part VIII Aegean Art at the End of the Bronze Age
- Afterword Aegean Art Through Forgers’ Eyes
- References
- Index
- Plate Section (PDF Only)
- References
Summary
It is difficult to get a sense of the palaces’ overall plans because we only know them in patches. The best conserved group of rooms comes from Phaistos (Levi 1976; F. Carinci, 9th Cretological, 2006, vol. A2, 23–39). Neopalatial construction on the top of the acropolis has meant that an important section of the remains of the first building, at a lower level on the southwest slope, has been preserved (Figure 13.1). Particularly notable among these remains are rows of storage magazines and a set of spaces interpreted as cult rooms; thousands of clay sealings that were baked in the fire marking the end of the period attest to the existence in this sector of administrative activity.
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- The Art and Archaeology of the Aegean Bronze AgeA History, pp. 87 - 94Publisher: Cambridge University PressPrint publication year: 2022