Book contents
- The Art of Counterpoint from Du Fay to Josquin
- The Art of Counterpoint from Du Fay to Josquin
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgments
- Note on Musical Examples
- Abbreviations
- Introduction
- Part I Starting Points
- Part II Tinctoris’s Varietas
- 3 Defining Terms
- 4 Varietas as an Esthetic Paradigm
- 5 Tinctoris Knew the Repertoire
- 6 Pieces Exemplifying Varietas
- Part III Fundaments of the Art
- Part IV The Art in Action
- Book part
- Bibliography
- Index of Compositions
- General Index
3 - Defining Terms
from Part II - Tinctoris’s Varietas
Published online by Cambridge University Press: 05 December 2024
- The Art of Counterpoint from Du Fay to Josquin
- The Art of Counterpoint from Du Fay to Josquin
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgments
- Note on Musical Examples
- Abbreviations
- Introduction
- Part I Starting Points
- Part II Tinctoris’s Varietas
- 3 Defining Terms
- 4 Varietas as an Esthetic Paradigm
- 5 Tinctoris Knew the Repertoire
- 6 Pieces Exemplifying Varietas
- Part III Fundaments of the Art
- Part IV The Art in Action
- Book part
- Bibliography
- Index of Compositions
- General Index
Summary
In a passage in his famous Art of Counterpoint (1477) devoted to the widely diffused concept of varietas, Johannes Tinctoris offers a prototheory of musical pacing and flow. Chapter 3 surveys the terms that for Tinctoris underpin this concept before describing how a modern tendency to make too much of the false friends varietas/variety has impeded our understanding.
Keywords
- Type
- Chapter
- Information
- The Art of Counterpoint from Du Fay to Josquin , pp. 63 - 85Publisher: Cambridge University PressPrint publication year: 2024