Book contents
- The Art of Counterpoint from Du Fay to Josquin
- The Art of Counterpoint from Du Fay to Josquin
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgments
- Note on Musical Examples
- Abbreviations
- Introduction
- Part I Starting Points
- Part II Tinctoris’s Varietas
- Part III Fundaments of the Art
- 7 The Parameters
- 8 Affordances of Four- and Five-Voice Texture
- 9 Sacred Genres
- 10 The Formes Fixes
- Part IV The Art in Action
- Book part
- Bibliography
- Index of Compositions
- General Index
7 - The Parameters
from Part III - Fundaments of the Art
Published online by Cambridge University Press: 05 December 2024
- The Art of Counterpoint from Du Fay to Josquin
- The Art of Counterpoint from Du Fay to Josquin
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgments
- Note on Musical Examples
- Abbreviations
- Introduction
- Part I Starting Points
- Part II Tinctoris’s Varietas
- Part III Fundaments of the Art
- 7 The Parameters
- 8 Affordances of Four- and Five-Voice Texture
- 9 Sacred Genres
- 10 The Formes Fixes
- Part IV The Art in Action
- Book part
- Bibliography
- Index of Compositions
- General Index
Summary
This section of the book takes a holistic approach by exploring elements of the compositional lingua franca that catalyzed a new musical poetics. Chapter 7 identifies approximately eight parameters (e.g., text-setting, cadences, and harmony) that in tandem can be used to create dramatic arcs.
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- Information
- The Art of Counterpoint from Du Fay to Josquin , pp. 139 - 156Publisher: Cambridge University PressPrint publication year: 2024