Book contents
- The Art of Counterpoint from Du Fay to Josquin
- The Art of Counterpoint from Du Fay to Josquin
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgments
- Note on Musical Examples
- Abbreviations
- Introduction
- Part I Starting Points
- Part II Tinctoris’s Varietas
- Part III Fundaments of the Art
- Part IV The Art in Action
- 11 Some Songs by Du Fay
- 12 Peaks, Valleys, and Flow in Okeghem’s Sacred Music
- 13 Busnoys, Josquin, and the Hurricane Osanna
- 14 Seven Awesome Endings
- 15 Pater noster across the Esthetic Divide
- 16 The Art of Counterpoint in Performance
- Book part
- Bibliography
- Index of Compositions
- General Index
12 - Peaks, Valleys, and Flow in Okeghem’s Sacred Music
from Part IV - The Art in Action
Published online by Cambridge University Press: 05 December 2024
- The Art of Counterpoint from Du Fay to Josquin
- The Art of Counterpoint from Du Fay to Josquin
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgments
- Note on Musical Examples
- Abbreviations
- Introduction
- Part I Starting Points
- Part II Tinctoris’s Varietas
- Part III Fundaments of the Art
- Part IV The Art in Action
- 11 Some Songs by Du Fay
- 12 Peaks, Valleys, and Flow in Okeghem’s Sacred Music
- 13 Busnoys, Josquin, and the Hurricane Osanna
- 14 Seven Awesome Endings
- 15 Pater noster across the Esthetic Divide
- 16 The Art of Counterpoint in Performance
- Book part
- Bibliography
- Index of Compositions
- General Index
Summary
The climactic power of melodic highpoints animates Chapter 12. The argument centers on Johannes Okeghem’s masses, paying attention not only to how melodic apices can generate or unleash energy, but also to how highpoints can be withheld for anticlimactic effect.
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- Chapter
- Information
- The Art of Counterpoint from Du Fay to Josquin , pp. 219 - 240Publisher: Cambridge University PressPrint publication year: 2024