Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Introduction
- I Grotesque Bodies: Hybridity and Focalization in Victor Hugo's Notre-Dame de Paris
- II Social Bodies: Dickens and the Disabled Narrator in Bleak House
- III Sensing Bodies: Negotiating the Body and Identity in Mary Elizabeth Braddon's Aurora Floyd and Wilkie Collins's The Moonstone
- IV Sanctified Bodies: Christian Theology and Disability in Ellice Hopkins's Rose Turquand and Charlotte Yonge's The Pillars of the House
- V Fairy-Tale Bodies: Prostheses and Narrative Perspective in Dinah Mulock Craik's The Little Lame Prince
- VI Mysterious Bodies: Solving and De-Solving Disability in the Fin-de-Siècle Mystery
- Afterword
- Works Cited
- Index
Works Cited
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Introduction
- I Grotesque Bodies: Hybridity and Focalization in Victor Hugo's Notre-Dame de Paris
- II Social Bodies: Dickens and the Disabled Narrator in Bleak House
- III Sensing Bodies: Negotiating the Body and Identity in Mary Elizabeth Braddon's Aurora Floyd and Wilkie Collins's The Moonstone
- IV Sanctified Bodies: Christian Theology and Disability in Ellice Hopkins's Rose Turquand and Charlotte Yonge's The Pillars of the House
- V Fairy-Tale Bodies: Prostheses and Narrative Perspective in Dinah Mulock Craik's The Little Lame Prince
- VI Mysterious Bodies: Solving and De-Solving Disability in the Fin-de-Siècle Mystery
- Afterword
- Works Cited
- Index
Summary
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- Type
- Chapter
- Information
- Articulating BodiesThe Narrative Form of Disability and Illness in Victorian Fiction, pp. 197 - 216Publisher: Liverpool University PressPrint publication year: 2019