Book contents
- Asian American Literature in Transition, 1996–2020
- Asian American Literature in Transition
- Asian American Literature in Transition, 1996–2020
- Copyright page
- Contents
- Illustrations
- Contributors
- Series Preface
- Acknowledgements
- Introduction
- Part I Neoimperialisms, Neoliberalisms, Necropolitics
- Part II Intersections, Intimacies
- Chapter 5 Between the Heteronormative Model Minority and the Homonormative LGBTQ Subject
- Chapter 6 Intimacies and Animacies
- Chapter 7 Trans Feminism, Asian America’s Queer Exception?
- Chapter 8 No Home Away from Home
- Part III Genres, Modalities
- Part IV Movements, Speculations
- Bibliography
- Index
Chapter 8 - No Home Away from Home
Queer Asian North American Heritage Plots
from Part II - Intersections, Intimacies
Published online by Cambridge University Press: 27 May 2021
- Asian American Literature in Transition, 1996–2020
- Asian American Literature in Transition
- Asian American Literature in Transition, 1996–2020
- Copyright page
- Contents
- Illustrations
- Contributors
- Series Preface
- Acknowledgements
- Introduction
- Part I Neoimperialisms, Neoliberalisms, Necropolitics
- Part II Intersections, Intimacies
- Chapter 5 Between the Heteronormative Model Minority and the Homonormative LGBTQ Subject
- Chapter 6 Intimacies and Animacies
- Chapter 7 Trans Feminism, Asian America’s Queer Exception?
- Chapter 8 No Home Away from Home
- Part III Genres, Modalities
- Part IV Movements, Speculations
- Bibliography
- Index
Summary
This chapter explores what is called a queer racial formalism. The narrative construct analyzed here involves intergenerational family sagas, a queer Asian North American character, and a heritage plot. This chapter investigates three variations of this narrative construct by engaging in short readings of Norman Wong’s Cultural Revolution (1994), Brian Leung’s Lost Men (2007), and Rahul Mehta’s No Other World (2017).
- Type
- Chapter
- Information
- Asian American Literature in Transition, 1996–2020 , pp. 150 - 170Publisher: Cambridge University PressPrint publication year: 2021