Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-14T16:35:17.494Z Has data issue: false hasContentIssue false

11 - Rewriting Divine Favour

Published online by Cambridge University Press:  10 March 2023

Get access

Summary

Tangible manifestations of divine favour abound in popular romances. Visible and invisible heavenly messengers offer advice, warning and admonition, and otherwise intervene in the affairs of the hero. At times unsolicited and even unwelcome, such interventions are more often the result of a direct request for assistance from above. Like many other elements of the popular romance, the hero's plea for divine help tends to be formulated in fairly conventional terms. It elicits a response that is invariably positive but can assume a variety of forms, the variability helping to maintain narrative tension in a genre that needs to make intelligent and nuanced use of predictability in order to keep the listener listening and the reader reading. The relationship between God and hero thus changes from text to text, but it changes diachronically too, so that over time a gradual shift is observed in the representation of divine favour. The thirteenth century sees especially pointed changes. Roughly speaking, and with due awareness of the dangers of generalisation, a reasonably sharp distinction can be made between texts written around 1200 and those written after 1300, with a more mixed picture in the intervening years. I would like to sketch out some of these changes in very broad terms by looking at a handful of prominent instances of divine favour in multiple versions of two popular, widespread, and very different narratives: the stories of Amis and Amiloun and of Bevis (Boeve in his Anglo-Norman incarnation) of Hampton.

In the Middle English Amis and Amiloun, a romance with two heroes rather than one, divine meddling is so prominent that the narrative has often been described as a ‘secular hagiography’. Three divine interventions mark turning points in the narrative: two appearances of angelic messengers and one miracle, performed in answer to a specific plea. In (1) below, as Amiloun is riding to the place appointed for the judicial combat in which he is to impersonate his friend, he hears a voice from heaven warning him that he will be made a leper if he undertakes the battle. In (2) an angel appears to Amis in his sleep to tell him that he can cure the leprosy-stricken Amiloun if he kills his two children and anoints his friend with their blood.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×