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Published online by Cambridge University Press: 16 January 2025
Through a case study of the ‘speaking machine’ constructed by doctor-poet Erasmus Darwin between 1770 and 1771, this chapter aims to demonstrate that Romantic-era projects on the mechanics of speech were both new and controversial in their potential to undermine the religious, political, and philosophical status quo. It explores how Darwin’s simultaneous investigations of anatomy and machinery are suggestive of a materialist approach to the human, and particularly the speaking, body and how his materialist model of speech production simultaneously allows and is allowed by Darwin’s dual identity as philosopher and physician which informs the interdisciplinarity of his thought and practice. The chapter concludes by making the case that Darwin’s multidisciplinary approach to speech underpins both politicised reactions to his work and his own account of the role that a materialist understanding of speech and the voice can play in the development and improvement of society.
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