Book contents
- The Bronze Horseman of Justinian in Constantinople
- The Bronze Horseman of Justinian in Constantinople
- Copyright page
- Contents
- Figures and Maps
- Tables
- Acknowledgements
- Abbreviations
- Note on Transliteration and Naming Conventions
- Selected Timeline of the Triumphal Column of Justinian and Its International Reverberations
- Map of Constantinople
- Introduction
- 1 Justinian’s Entry into Constantinople: He Came, He Saw, He Conquered
- 2 The Making of Justinian’s Forum
- 3 Defying a Defining Witness: the Bronze Horseman and the Buildings (De Aedificiis) of Prokopios
- 4 The Horseman of Baghdad Responds to the Horseman of Constantinople
- 5 Soothing Imperial Anxieties: Theophilos and the Restoration of Justinian’s Crown
- 6 Debating Justinian’s Merits in the Tenth Century
- 7 The Bronze Horseman and a Dark Hour for Humanity
- 8 The Horseman Becomes Heraclius: crusading Narratives of the Eleventh and Twelfth Centuries
- 9 From Exile in Nicaea to Restoration of Constantinople
- 10 A Learned Dialogue across the Ages: Pachymeres Confronts Prokopios
- 11 Orb-Session: Constantinople’s Future in the Bronze Horseman’s Hand
- 12 Justinian’s Column and the Antiquarian Gaze: a Centuries-Old “Secret” Exposed
- 13 A Timeless Ideal: Constantinople in Slavonic Imagination of the Fourteenth–Fifteenth Centuries
- 14 The Horseman Meets Its End
- 15 Horse as Historia, Byzantium as Allegory
- 16 Shadowy Past and Menacing Future
- 17 After the Fall: the Bronze Horseman and the Eternal Tsar’grad
- Postscript: the Horseman’s Debut in Print
- Select Bibliography
- Index
2 - The Making of Justinian’s Forum
Published online by Cambridge University Press: 08 April 2021
- The Bronze Horseman of Justinian in Constantinople
- The Bronze Horseman of Justinian in Constantinople
- Copyright page
- Contents
- Figures and Maps
- Tables
- Acknowledgements
- Abbreviations
- Note on Transliteration and Naming Conventions
- Selected Timeline of the Triumphal Column of Justinian and Its International Reverberations
- Map of Constantinople
- Introduction
- 1 Justinian’s Entry into Constantinople: He Came, He Saw, He Conquered
- 2 The Making of Justinian’s Forum
- 3 Defying a Defining Witness: the Bronze Horseman and the Buildings (De Aedificiis) of Prokopios
- 4 The Horseman of Baghdad Responds to the Horseman of Constantinople
- 5 Soothing Imperial Anxieties: Theophilos and the Restoration of Justinian’s Crown
- 6 Debating Justinian’s Merits in the Tenth Century
- 7 The Bronze Horseman and a Dark Hour for Humanity
- 8 The Horseman Becomes Heraclius: crusading Narratives of the Eleventh and Twelfth Centuries
- 9 From Exile in Nicaea to Restoration of Constantinople
- 10 A Learned Dialogue across the Ages: Pachymeres Confronts Prokopios
- 11 Orb-Session: Constantinople’s Future in the Bronze Horseman’s Hand
- 12 Justinian’s Column and the Antiquarian Gaze: a Centuries-Old “Secret” Exposed
- 13 A Timeless Ideal: Constantinople in Slavonic Imagination of the Fourteenth–Fifteenth Centuries
- 14 The Horseman Meets Its End
- 15 Horse as Historia, Byzantium as Allegory
- 16 Shadowy Past and Menacing Future
- 17 After the Fall: the Bronze Horseman and the Eternal Tsar’grad
- Postscript: the Horseman’s Debut in Print
- Select Bibliography
- Index
Summary
Justinian turned the greatest domestic challenge of his reign (the Nika riots) into a spectacular opportunity for promoting his gloria. He constructed the last imperial forum in Constantinople on the ruins and foundations of the old Augoustaion. Hagia Sophia was the first major element of the new vision to be constructed (532–37 CE), while the triumphal column was the last (ca. 543 CE). No ruler in the premodern era would surpass Justinian’s spectacular accomplishments of either Hagia Sophia or the triumphal column. Justinian deliberately appropriated a colossal equestrian sculpture from the forum of Theodosios. While rulers before him commissioned great equestrian monuments, only he chose to place an equestrian monument at the top of a triumphal column. Like the colossal statues of his predecessors, Constantine and Theodosios, the equestrian Justinian also faced east. The bronze horseman came to command the city’s skyline and define the image of Constantinople. This awesome statement of power became a towering reminder of Justinian and his seemingly boundless might.
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- The Bronze Horseman of Justinian in ConstantinopleThe Cross-Cultural Biography of a Mediterranean Monument, pp. 38 - 71Publisher: Cambridge University PressPrint publication year: 2021