Book contents
- The Cambridge Companion to African American Theatre
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to African American Theatre
- Copyright page
- Dedication
- Contents
- Figures
- Notes on Contributors
- Acknowledgments
- Chronology
- Introduction
- Chapter 1 Slavery, Performance, and the Design of African American Theatre
- Chapter 2 Slave Rebellions on the National Stage
- Chapter 3 Early Black Americans on Broadway
- Chapter 4 Drama in the Harlem Renaissance
- Chapter 5 The Negro Little Theatre Movement
- Chapter 6 Black Women Dramatists, 1930–1960
- Chapter 7 Amiri Baraka and the Black Arts Movement
- Chapter 8 Fragmented Musicals and 1970s Soul Aesthetic
- Chapter 9 Spectacles of Whiteness from Adrienne Kennedy to Suzan-Lori Parks
- Chapter 10 African American Performance and Community Engagement
- Chapter 11 Women Playwrights Who Cross Cultural Borders
- Chapter 12 African Diaspora Drama
- Chapter 13 Black Theatre in the Age of Obama
- Chapter 14 Staging Black Lives Matter
- Chapter 15 Contemporary Black Queer Drama
- Chapter 16 African American Dance Theatre
- Index
Chapter 10 - African American Performance and Community Engagement
Published online by Cambridge University Press: 08 June 2023
- The Cambridge Companion to African American Theatre
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to African American Theatre
- Copyright page
- Dedication
- Contents
- Figures
- Notes on Contributors
- Acknowledgments
- Chronology
- Introduction
- Chapter 1 Slavery, Performance, and the Design of African American Theatre
- Chapter 2 Slave Rebellions on the National Stage
- Chapter 3 Early Black Americans on Broadway
- Chapter 4 Drama in the Harlem Renaissance
- Chapter 5 The Negro Little Theatre Movement
- Chapter 6 Black Women Dramatists, 1930–1960
- Chapter 7 Amiri Baraka and the Black Arts Movement
- Chapter 8 Fragmented Musicals and 1970s Soul Aesthetic
- Chapter 9 Spectacles of Whiteness from Adrienne Kennedy to Suzan-Lori Parks
- Chapter 10 African American Performance and Community Engagement
- Chapter 11 Women Playwrights Who Cross Cultural Borders
- Chapter 12 African Diaspora Drama
- Chapter 13 Black Theatre in the Age of Obama
- Chapter 14 Staging Black Lives Matter
- Chapter 15 Contemporary Black Queer Drama
- Chapter 16 African American Dance Theatre
- Index
Summary
Nadine George-Graves discusses the vital role that theatre plays in engaging, healing, and transforming African American communities within her account of the theatrical contributions of producer Barbara Ann Teer, playwright Ntozake Shange, and choreographer Jawole Willa Jo Zollar. She addresses the unifying and recuperative power of theatre and how Teer, Shange, and Zollar embrace Africanist practices with the intent of reaching and elevating the “spirit” of their audiences. The recognition of one’s affinity with others exists as a step toward developing a social activist movement.
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- Information
- The Cambridge Companion to African American Theatre , pp. 198 - 216Publisher: Cambridge University PressPrint publication year: 2023