Book contents
- The Cambridge Companion to British Theatre of the First World War
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to British Theatre of the First World War
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Chronology of Events and Productions
- Introduction
- Part I Mobilising for War
- Part II Theatre during the War
- Chapter 3 Challenging Times
- Chapter 4 Everyone’s a Playgoer Now!
- Chapter 5 Theatre in the War Zone
- Chapter 6 The Classics at War
- Chapter 7 War on the Popular Stage
- Chapter 8 Cinema and Theatre in the Great War
- Chapter 9 ‘American Invasions’
- Chapter 10 European Theatre on the British Stage 1914–1918
- Chapter 11 Resistance and Objection
- Part III The Memory of War
- Further Reading
- Index
Chapter 5 - Theatre in the War Zone
from Part II - Theatre during the War
Published online by Cambridge University Press: 19 October 2023
- The Cambridge Companion to British Theatre of the First World War
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to British Theatre of the First World War
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Chronology of Events and Productions
- Introduction
- Part I Mobilising for War
- Part II Theatre during the War
- Chapter 3 Challenging Times
- Chapter 4 Everyone’s a Playgoer Now!
- Chapter 5 Theatre in the War Zone
- Chapter 6 The Classics at War
- Chapter 7 War on the Popular Stage
- Chapter 8 Cinema and Theatre in the Great War
- Chapter 9 ‘American Invasions’
- Chapter 10 European Theatre on the British Stage 1914–1918
- Chapter 11 Resistance and Objection
- Part III The Memory of War
- Further Reading
- Index
Summary
This chapter will examine theatre both for, and by, the armed services on the fighting fronts. It will outline how and why theatre was an important aspect of leisure time for British, Colonial and allied troops fighting on land, at sea and in the air. This chapter will examine the importance of both watching and taking part in theatrical entertainments through a discussion of the professional civilian and military Concert Parties in the Army, Navy and the RFC/RAF, the role of voluntary-aid organisations such as the British Red Cross and the YMCA, and theatrical entertainments in wider wartime contexts such as PoW camps and military hospitals. A key focus of the chapter will be the social function of such entertainments, the content, and the practicalities of how they were staged in various wartime contexts.
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- Information
- Publisher: Cambridge University PressPrint publication year: 2023