Book contents
- The Cambridge Companion to Composition
- Cambridge Companions to Music
- The Cambridge Companion to Composition
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Introduction
- Part I Creative Processes
- Part II Techniques
- Part III Styles, Conventions, and Issues
- 12 Dots, Squiggles, and Words
- 13 Sonorities and Spectra
- 14 Electronic Composition
- 15 Transcultural Composing
- 16 Nothing New Under the Sun: Composition as Adaptation
- 17 Composition and Ecological Listening
- Part IV Building a Career
- Further Reading
- Index
12 - Dots, Squiggles, and Words
Notation in Recent Music
from Part III - Styles, Conventions, and Issues
Published online by Cambridge University Press: 25 May 2024
- The Cambridge Companion to Composition
- Cambridge Companions to Music
- The Cambridge Companion to Composition
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Introduction
- Part I Creative Processes
- Part II Techniques
- Part III Styles, Conventions, and Issues
- 12 Dots, Squiggles, and Words
- 13 Sonorities and Spectra
- 14 Electronic Composition
- 15 Transcultural Composing
- 16 Nothing New Under the Sun: Composition as Adaptation
- 17 Composition and Ecological Listening
- Part IV Building a Career
- Further Reading
- Index
Summary
This chapter considers how notation has been used, questioned, and re-made by composers over the twentieth and twenty-first centuries. It considers the ideologies behind notation as an interface between composer and performer, and offers some playful examples of notational strategies that invite collaboration with the performer by challenging assumed norms of interpretation and performance.
- Type
- Chapter
- Information
- The Cambridge Companion to Composition , pp. 179 - 197Publisher: Cambridge University PressPrint publication year: 2024