Book contents
- The Cambridge Companion to Composition
- Cambridge Companions to Music
- The Cambridge Companion to Composition
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Introduction
- Part I Creative Processes
- 1 Inspiration
- 2 From Space to Sound
- 3 Ex Uno Plures
- 4 Instruments and Invention
- 5 Uncovered Grave
- Part II Techniques
- Part III Styles, Conventions, and Issues
- Part IV Building a Career
- Further Reading
- Index
4 - Instruments and Invention
from Part I - Creative Processes
Published online by Cambridge University Press: 25 May 2024
- The Cambridge Companion to Composition
- Cambridge Companions to Music
- The Cambridge Companion to Composition
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Introduction
- Part I Creative Processes
- 1 Inspiration
- 2 From Space to Sound
- 3 Ex Uno Plures
- 4 Instruments and Invention
- 5 Uncovered Grave
- Part II Techniques
- Part III Styles, Conventions, and Issues
- Part IV Building a Career
- Further Reading
- Index
Summary
How do composers discover new sounds with old instruments? This chapter looks at the relationship between composers and instruments, and explores how responding to instrument design and experiementing with performing techniques and physical materials can create radical and exciting new sounds and ideas.
- Type
- Chapter
- Information
- The Cambridge Companion to Composition , pp. 62 - 76Publisher: Cambridge University PressPrint publication year: 2024