Book contents
- The Cambridge Companion to Environmental Humanities
- The Cambridge Companion to Environmental Humanities
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgments
- Chronology
- Chapter 1 Introduction: Climate Change/Changing Climates
- Chapter 2 The Commons
- Chapter 3 Rights
- Chapter 4 Time as Kinship
- Chapter 5 The Nature of Gender
- Chapter 6 Race, Health, and Environment
- Chapter 7 Narrative and Environmental Innovation
- Chapter 8 Climate Fictions: Future-Making Technologies
- Chapter 9 Apocalypse/Extinction
- Chapter 10 Multispecies
- Chapter 11 Food
- Chapter 12 Plants
- Chapter 13 Extraction
- Chapter 14 Ice/Water/Vapor
- Chapter 15 Rocks
- Chapter 16 Coal/Oil
- Chapter 17 Waste
- Chapter 18 Ecomedia
- Chapter 19 New Materialism and the Nonhuman Story
- Chapter 20 Risk
- Chapter 21 Coda: Virus
- Bibliography
- Index
- Cambridge Companions To Literature
- References
Chapter 7 - Narrative and Environmental Innovation
Published online by Cambridge University Press: 12 August 2021
- The Cambridge Companion to Environmental Humanities
- The Cambridge Companion to Environmental Humanities
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgments
- Chronology
- Chapter 1 Introduction: Climate Change/Changing Climates
- Chapter 2 The Commons
- Chapter 3 Rights
- Chapter 4 Time as Kinship
- Chapter 5 The Nature of Gender
- Chapter 6 Race, Health, and Environment
- Chapter 7 Narrative and Environmental Innovation
- Chapter 8 Climate Fictions: Future-Making Technologies
- Chapter 9 Apocalypse/Extinction
- Chapter 10 Multispecies
- Chapter 11 Food
- Chapter 12 Plants
- Chapter 13 Extraction
- Chapter 14 Ice/Water/Vapor
- Chapter 15 Rocks
- Chapter 16 Coal/Oil
- Chapter 17 Waste
- Chapter 18 Ecomedia
- Chapter 19 New Materialism and the Nonhuman Story
- Chapter 20 Risk
- Chapter 21 Coda: Virus
- Bibliography
- Index
- Cambridge Companions To Literature
- References
Summary
Chapter 7 directs critical attention to contemporary narratives that are coalescing in popular technology discourses that imagine climate crisis as an occasion to expand on structures of capitalism. This narrative template – whose leitmotif is making rather than saving nature – turns away from what Ramachandra Guha termed “varieties of environmentalism” in celebrating technological acts of inventing, designing, and rebuilding biophysical worlds. It begins by addressing the parallel emergence of a high-tech planet and a planet in peril as divergent stories of global capitalism. It then examines two visions of remaking the planet: geoengineering and terraforming. These overlapping engineering arenas draw an expressly environmental portrait of innovation that imbues the tech industry with quasi-magical capacities that can be leveraged either to improve on or to transcend the Anthropocene. Offering a counterpoint to this techno-utopia, the chapter concludes with an analysis of Karen Tei Yamashita’s novel Through the Arc of the Rainforest (1990), which satirizes the colonial logic of world-building fantasies while making the planet a charismatic character with a story of its own.
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- The Cambridge Companion to Environmental Humanities , pp. 86 - 99Publisher: Cambridge University PressPrint publication year: 2021