Book contents
- The Cambridge Companion to Gadamer
- Other Volumes in the Series of Cambridge Companions
- The Cambridge Companion to Gadamer
- Copyright page
- Contents
- Contributors
- Abbreviations
- Introduction
- 1 Gadamer (1900–2002)
- 2 Gadamer’s Basic Understanding of Understanding
- 3 Getting It Right
- 4 Philosophical Hermeneutics, Language, and the Communicative Event
- 5 Phronesis and Solidarity
- 6 Gadamer’s Herderian Critics
- 7 Gadamer on the Human Sciences
- 8 Art Experience and Its Transformative Potential in Gadamer’s Hermeneutics
- 9 Lyric as Paradigm
- 10 Gadamer, the Hermeneutic Revolution, and Theology
- 11 Hermeneutics in Practice
- 12 Gadamer’s Hegel
- 13 Gadamer’s Relation to Heidegger and to Phenomenology
- 14 The Constellation of Hermeneutics, Critical Theory, and Deconstruction
- 15 Hermeneutics in a Broader Horizon
- Bibliography
- Index
- Other Volumes in the Series of Cambridge Companions (continued from page ii)
8 - Art Experience and Its Transformative Potential in Gadamer’s Hermeneutics
Published online by Cambridge University Press: 29 July 2021
- The Cambridge Companion to Gadamer
- Other Volumes in the Series of Cambridge Companions
- The Cambridge Companion to Gadamer
- Copyright page
- Contents
- Contributors
- Abbreviations
- Introduction
- 1 Gadamer (1900–2002)
- 2 Gadamer’s Basic Understanding of Understanding
- 3 Getting It Right
- 4 Philosophical Hermeneutics, Language, and the Communicative Event
- 5 Phronesis and Solidarity
- 6 Gadamer’s Herderian Critics
- 7 Gadamer on the Human Sciences
- 8 Art Experience and Its Transformative Potential in Gadamer’s Hermeneutics
- 9 Lyric as Paradigm
- 10 Gadamer, the Hermeneutic Revolution, and Theology
- 11 Hermeneutics in Practice
- 12 Gadamer’s Hegel
- 13 Gadamer’s Relation to Heidegger and to Phenomenology
- 14 The Constellation of Hermeneutics, Critical Theory, and Deconstruction
- 15 Hermeneutics in a Broader Horizon
- Bibliography
- Index
- Other Volumes in the Series of Cambridge Companions (continued from page ii)
Summary
theory of art in the conventional sense. He does not provide a systematic account of art, nor does he provide criteria for aesthetic judgment. He is concerned rather with the role art plays in forming our culture and its meaning in our individual and communal lives. This chapter situates Gadamer’s views in the context of the history of philosophy–the ancient Greek view of art and the modern views of art, especially the view of Kant. For Gadamer, art is an event of understanding. The concepts of play and the game are important to his account. This chapter considers the temporal, the dialogical, and the communal aspects of art for Gadamer. It considers arts claim to truth. And finally, it shows how Gadamer thinks that art has an important transformative potential.
- Type
- Chapter
- Information
- The Cambridge Companion to Gadamer , pp. 182 - 212Publisher: Cambridge University PressPrint publication year: 2021