Book contents
- The Cambridge Companion to Jack Kerouac
- The Cambridge Companion to Jack Kerouac
- Copyright page
- Contents
- Notes on Contributors
- A Kerouac Chronology
- Additional material
- Introduction
- Chapter 1 Kerouac’s Concept of His Duluoz Legend
- Chapter 2 Kerouac and the Profession of Authorship
- Chapter 3 Truth in Confession
- Chapter 4 The Textuality of Performance
- Chapter 5 The Spontaneous Aesthetic in The Subterraneans
- Chapter 6 Kerouac and the 1950s
- Chapter 7 The Impact of On the Road on the 1960s Counterculture
- Chapter 8 Vanity of Duluoz and the 1960s
- Chapter 9 Late Kerouac, or the Conflicted “King of the Beatniks”
- Chapter 10 Visions of Cody as Metafiction
- Chapter 11 Making the Past Present
- Chapter 12 Spun Rhythms
- Chapter 13 Kerouac’s Representations of Women
- Chapter 14 Kerouac and Blackness
- Chapter 15 Kerouac, Multilingualism, and Global Culture
- Chapter 16 The Two Phases of Jack Kerouac’s American Buddhism
- Chapter 17 Jack Kerouac’s Ambivalences as an Environmental Writer
- Chapter 18 The Essentials of Archival Prose
- Further Reading
- Index
- Cambridge Companions To …
Chapter 11 - Making the Past Present
Kerouac and Memory
Published online by Cambridge University Press: 31 October 2024
- The Cambridge Companion to Jack Kerouac
- The Cambridge Companion to Jack Kerouac
- Copyright page
- Contents
- Notes on Contributors
- A Kerouac Chronology
- Additional material
- Introduction
- Chapter 1 Kerouac’s Concept of His Duluoz Legend
- Chapter 2 Kerouac and the Profession of Authorship
- Chapter 3 Truth in Confession
- Chapter 4 The Textuality of Performance
- Chapter 5 The Spontaneous Aesthetic in The Subterraneans
- Chapter 6 Kerouac and the 1950s
- Chapter 7 The Impact of On the Road on the 1960s Counterculture
- Chapter 8 Vanity of Duluoz and the 1960s
- Chapter 9 Late Kerouac, or the Conflicted “King of the Beatniks”
- Chapter 10 Visions of Cody as Metafiction
- Chapter 11 Making the Past Present
- Chapter 12 Spun Rhythms
- Chapter 13 Kerouac’s Representations of Women
- Chapter 14 Kerouac and Blackness
- Chapter 15 Kerouac, Multilingualism, and Global Culture
- Chapter 16 The Two Phases of Jack Kerouac’s American Buddhism
- Chapter 17 Jack Kerouac’s Ambivalences as an Environmental Writer
- Chapter 18 The Essentials of Archival Prose
- Further Reading
- Index
- Cambridge Companions To …
Summary
This chapter examines a central motif that runs throughout Kerouac’s corpus – the desire to capture the events of the past in a literary form that lends them affective force in the present. In novels like Doctor Sax, among many others, Kerouac relied on Spontaneous Prose to infuse the earlier occurrences of his life with renewed vigor and immediacy, resulting in works that challenge the more staid narrative styles of memoir or autobiography. At his best, Kerouac was able to make the past “come alive” again in the present and this sort of intensity has been one of the major reasons for the interest in his work as well as for its longevity. But despite this success, Kerouac’s attempts at writing memory are continually subject to intrusion, indecision, and uncertainty. This chapter shows that Kerouac’s attempts to record memory in a form that retains intensity across time provide insight not only into his literary method, but allow us to reconsider more generally how the events of the past can be usefully brought into the present, and the stakes involved in doing so.
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- The Cambridge Companion to Jack Kerouac , pp. 151 - 165Publisher: Cambridge University PressPrint publication year: 2024