Book contents
- The Cambridge Companion to K-Pop
- Cambridge Companions to Music
- The Cambridge Companion to K-Pop
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Acknowledgments
- Notes to Readers
- Introduction
- Part I Genealogies
- Part II Sounding Out K-Pop
- Part III Dancing to K-Pop
- Part IV The Making of Idols
- Part V The Band That Surprised the World
- Part VI Circuits of K-Pop Flow
- Index
- References
Part III - Dancing to K-Pop
Published online by Cambridge University Press: 02 March 2023
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Book contents
- The Cambridge Companion to K-Pop
- Cambridge Companions to Music
- The Cambridge Companion to K-Pop
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Acknowledgments
- Notes to Readers
- Introduction
- Part I Genealogies
- Part II Sounding Out K-Pop
- Part III Dancing to K-Pop
- Part IV The Making of Idols
- Part V The Band That Surprised the World
- Part VI Circuits of K-Pop Flow
- Index
- References
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- The Cambridge Companion to K-Pop , pp. 95 - 136Publisher: Cambridge University PressPrint publication year: 2023
References
Further Reading
Käng, Dredge Byung’chu. “Idols of Development: Transnational Transgender Performance in Thai K-Pop Cover Dance.” Transgender Studies Quarterly 1/4 (2014): 559–571.CrossRefGoogle Scholar
Khiun, Liew Kai. “K-Pop Dance Trackers and Cover Dancers.” In Kim, Youna (ed.), The Korean Wave: Korean Media Go Global, 165–182. Abingdon: Routledge, 2013.Google Scholar
Kim, Suk-Young. K-Pop Live: Fans, Idols, and Multimedia Performance. Redwood City, CA: Stanford University Press, 2018.Google Scholar
Koeltzsch, Grit Kirstin. “Korean Popular Culture in Argentina.” In Oxford Research Encyclopedia of Latin American History (2019). https://doi.org/10.1093/acrefore/9780199366439.013.766.CrossRefGoogle Scholar
Oh, Chuyun. “From Seoul to Copenhagen: Migrating K-Pop Cover Dance and Performing Diasporic Youth in Social Media.” Dance Research Journal 52/1 (2020): 20–32. https://doi.org/10.1017/S0149767720000030.Google Scholar
Oh, Chuyun. “Identity Passing in Intercultural Performance of K-Pop Cover Dance.” Journal of Intercultural Communication Research 49/5 (2020): 472–483. https://doi.org/10.1080/17475759.2020.1803103.Google Scholar
Oh, Chuyun. K-Pop Dance: Fandoming Yourself on Social Media. New York: Routledge, 2022.Google Scholar
Oh, Chuyun. “Queering Spectatorship in K-Pop: The Androgynous Male Dancing Body and Western Female Fandom.” The Journal of Fandom Studies 3/1 (2015): 59–78.Google Scholar
Oh, Chuyun, and Oh, David C.. “Unmasking Queerness: Blurring and Solidifying Queer Lines through K-Pop Cross-Dressing.” Journal of Popular Culture 50/1 (2017): 9–29.Google Scholar
Shin, Sang Mi. Ingan-eun oe chum-eul chu-neun-ga. Inryu-ui chum munhwa ko-deu ilggi. Seoul: Ewha Womans University Press, 2013.Google Scholar
Van Zile, Judy. Perspectives on Korean Dance. Middletown, CT: Wesleyan University Press, 2001 .Google Scholar
Bibliography
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Oh, Chuyun. “From Seoul to Copenhagen: Migrating K-Pop Cover Dance and Performing Diasporic Youth in Social Media.” Dance Research Journal 52/1 (2020): 20–32.Google Scholar
Oh, Chuyun, and Oh, David C.. “Unmasking Queerness: Blurring and Solidifying Queer Lines through K-Pop Cross-Dressing.” The Journal of Popular Culture 50/1 (2017): 9–29.Google Scholar
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