Book contents
- The Cambridge Companion to Krautrock
- Cambridge Companions to Music
- The Cambridge Companion to Krautrock
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Note on Translation
- Introduction
- Part I Context
- Part II Music
- 6 Kraftwerk
- 7 Can
- 8 Tangerine Dream
- 9 Neu!
- 10 Faust
- 11 Cluster/Harmonia
- 12 Popol Vuh
- 13 Ash Ra Tempel, Manuel Göttsching, and Klaus Schulze
- 14 Amon Düül II
- 15 The Flip Side of Krautrock
- Part III Legacy
- Index
10 - Faust
from Part II - Music
Published online by Cambridge University Press: 20 October 2022
- The Cambridge Companion to Krautrock
- Cambridge Companions to Music
- The Cambridge Companion to Krautrock
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Note on Translation
- Introduction
- Part I Context
- Part II Music
- 6 Kraftwerk
- 7 Can
- 8 Tangerine Dream
- 9 Neu!
- 10 Faust
- 11 Cluster/Harmonia
- 12 Popol Vuh
- 13 Ash Ra Tempel, Manuel Göttsching, and Klaus Schulze
- 14 Amon Düül II
- 15 The Flip Side of Krautrock
- Part III Legacy
- Index
Summary
The chapter analyses Faust‘s work, situating their sound within the diverse Krautrock trend and outlining their history to explain their political and artistic aims as a German music group. Faust‘s music celebrates a disruptive, avant-garde approach to rock music, influenced by dada and fluxus artists to create musical cut-ups and sound collages that blur the difference between noise and music. This methodology positions the band outside the structures of civilization, as per the framework of the Romantic hero, and reflects their conflicted disruption of German identity through the coincident political, phenomenological, and spiritual anxieties present in their music, lyrics, and performances. Faust‘s experimentation and aesthetics have influenced the ways noise has been incorporated into popular music, anticipating the development of industrial music.
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- The Cambridge Companion to Krautrock , pp. 158 - 172Publisher: Cambridge University PressPrint publication year: 2022