Book contents
- Frontmatter
- Contents
- List of Figures and Tables
- List of Contributors
- 1 Introduction
- Part I
- 2 Lucian and the Culture of Criticism
- 3 Lucian’s Poetics
- 4 Lucian and Philosophy
- 5 On Believing in Lucian: The Religious Polemics
- 6 Lucian and Art History
- 7 Some Queer Entanglements in Lucian’s Erotes
- Part II
- Part III
- References
- Index Locorum
- Subject Index
- Cambridge Companions to Literature
2 - Lucian and the Culture of Criticism
from Part I
Published online by Cambridge University Press: 07 November 2024
- Frontmatter
- Contents
- List of Figures and Tables
- List of Contributors
- 1 Introduction
- Part I
- 2 Lucian and the Culture of Criticism
- 3 Lucian’s Poetics
- 4 Lucian and Philosophy
- 5 On Believing in Lucian: The Religious Polemics
- 6 Lucian and Art History
- 7 Some Queer Entanglements in Lucian’s Erotes
- Part II
- Part III
- References
- Index Locorum
- Subject Index
- Cambridge Companions to Literature
Summary
This chapter concerns Lucian’s presentation of the contemporary display of literate knowledge and the practice of criticism and scholarship. That presentation is often obviously satirical, but Lucian’s tone and purpose also often remain elusive; Lucian’s voice is never easy to capture. Examples include Lucian’s account of the art of reading in On the Ignorant Book-Collector, and the posturing philosophers and ignorant grammarians of the Symposium; this latter case illustrates how Lucian’s concern with ‘the culture of criticism’ is always part of the ever-present negotiation with classical models which is a hallmark of his work, as of any major figure of the Second Sophistic. The same is true of the satire on Atticism in Lexiphanes. The final part of the chapter considers Lucian’s presentation of artistic technai, whether that be that art of writing history or the treatise on pantomime, On the Dance.
- Type
- Chapter
- Information
- The Cambridge Companion to Lucian , pp. 27 - 49Publisher: Cambridge University PressPrint publication year: 2024