Book contents
- The Cambridge Companion to Manga and Anime
- The Cambridge Companion to Manga and Anime
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Notes on Japanese Names, Terms, and Titles
- Chronology
- Introduction
- Part I Claimed Origins and Overlooked Traditions
- Part II Drawing and Movement
- Part III Sound
- Part IV Narrative
- Part V Characters
- Part VI Genres
- Part VII Forms of Production
- 14 Manga Editors and Their Artists
- 15 Anime Production, Decentralized
- Part VIII Forms of Distribution
- Part IX Forms of Use
- Further Reading
- Index
- Cambridge Companions to Literature
15 - Anime Production, Decentralized
from Part VII - Forms of Production
Published online by Cambridge University Press: 07 November 2024
- The Cambridge Companion to Manga and Anime
- The Cambridge Companion to Manga and Anime
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Notes on Japanese Names, Terms, and Titles
- Chronology
- Introduction
- Part I Claimed Origins and Overlooked Traditions
- Part II Drawing and Movement
- Part III Sound
- Part IV Narrative
- Part V Characters
- Part VI Genres
- Part VII Forms of Production
- 14 Manga Editors and Their Artists
- 15 Anime Production, Decentralized
- Part VIII Forms of Distribution
- Part IX Forms of Use
- Further Reading
- Index
- Cambridge Companions to Literature
Summary
With the recent COVID-19 pandemic, the hitherto slow transition of Japan’s animation industry from the Tokyo-centric traditional production methods using paper-based materials to a fully digital network that connects individuals over vast distances has accelerated. This coincides with an unprecedented uptick in the establishment of new animation production studios in the regional areas of Japan, and with incentives in the form of public subsidies for “regional revitalization” projects designed to mitigate the effects of depopulation, theoretically creating a mutually beneficial situation for all parties involved. This chapter introduces various examples of regional studios and analyzes their differences in approach, in particular with regard to the involvement with the local community. It illuminates their main function and position, be it serving as a contract-based independent entity, a subsidiary of a Tokyo-based company, or a studio developing in-house projects to subcontract work out for, thus earning license revenue.
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- The Cambridge Companion to Manga and Anime , pp. 199 - 210Publisher: Cambridge University PressPrint publication year: 2024