Book contents
- The Cambridge Companion to Manga and Anime
- The Cambridge Companion to Manga and Anime
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Notes on Japanese Names, Terms, and Titles
- Chronology
- Introduction
- Part I Claimed Origins and Overlooked Traditions
- Part II Drawing and Movement
- Part III Sound
- Part IV Narrative
- 8 Reading Story-Manga
- 9 Anime Narratives and 3D CG Aesthetics
- Part V Characters
- Part VI Genres
- Part VII Forms of Production
- Part VIII Forms of Distribution
- Part IX Forms of Use
- Further Reading
- Index
- Cambridge Companions to Literature
8 - Reading Story-Manga
from Part IV - Narrative
Published online by Cambridge University Press: 07 November 2024
- The Cambridge Companion to Manga and Anime
- The Cambridge Companion to Manga and Anime
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Notes on Japanese Names, Terms, and Titles
- Chronology
- Introduction
- Part I Claimed Origins and Overlooked Traditions
- Part II Drawing and Movement
- Part III Sound
- Part IV Narrative
- 8 Reading Story-Manga
- 9 Anime Narratives and 3D CG Aesthetics
- Part V Characters
- Part VI Genres
- Part VII Forms of Production
- Part VIII Forms of Distribution
- Part IX Forms of Use
- Further Reading
- Index
- Cambridge Companions to Literature
Summary
Narrative is a “mimesis” of human action, as defined by Aristotle. Mimesis is achieved by means of discourse, the combination of expressive signs available in a medium. In graphic narratives or story-manga, discourse utilizes three primary elements: image, word, and panel, with various expressive techniques developed for each. The actual signs of discourse, however, serve only as a starting point. It is by utilizing imaginative supplementation that the reader is able to interpret events, receive impressions, understand temporal and spatial transitions, and grasp the overall structure of the narrative world, that is, the story. The cognitive process of the reader can be broken down into three hypothetical phases: micro-, meso- and macroscopic. This chapter provides an outline of each phase in order to demonstrate the distinctiveness of manga as a narrative medium in terms of its expressive means and the resulting narrative experience.
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- Information
- The Cambridge Companion to Manga and Anime , pp. 111 - 120Publisher: Cambridge University PressPrint publication year: 2024