Book contents
- The Cambridge Companion to Nineteenth-Century American Literature and Politics
- The Cambridge Companion to Nineteenth-Century American Literature and Politics
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Chronology of Major Works and Events
- Introduction Politics and Literary History
- Part I Concepts
- Chapter 1 The Liberal Tradition and Slavery
- Chapter 2 Conservatism: Tradition, Hierarchy, and Fictions of Social Change
- Chapter 3 The Literature of Radicalism
- Chapter 4 Nationalism: Character, Identity, and Hyphenated Selfhood
- Chapter 5 Communitarianism and Its Literary Contexts
- Chapter 6 Constructing Sovereignty through Legal and Religious Discourses
- Chapter 7 Religious Reestablishment from Pulpit to Page
- Chapter 8 Competing Views of Partisanship and Factionalism
- Part II Issues
- Part III Genres
- Index
- Series page
- References
Chapter 3 - The Literature of Radicalism
from Part I - Concepts
Published online by Cambridge University Press: 06 March 2025
- The Cambridge Companion to Nineteenth-Century American Literature and Politics
- The Cambridge Companion to Nineteenth-Century American Literature and Politics
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Chronology of Major Works and Events
- Introduction Politics and Literary History
- Part I Concepts
- Chapter 1 The Liberal Tradition and Slavery
- Chapter 2 Conservatism: Tradition, Hierarchy, and Fictions of Social Change
- Chapter 3 The Literature of Radicalism
- Chapter 4 Nationalism: Character, Identity, and Hyphenated Selfhood
- Chapter 5 Communitarianism and Its Literary Contexts
- Chapter 6 Constructing Sovereignty through Legal and Religious Discourses
- Chapter 7 Religious Reestablishment from Pulpit to Page
- Chapter 8 Competing Views of Partisanship and Factionalism
- Part II Issues
- Part III Genres
- Index
- Series page
- References
Summary
In light of police raids and de facto forms of censorship, Shelley Streeby has powerfully pointed to what she aptly terms “the limits of print as an archive of radical memory,” and, so too, the limits within American literary studies in so far recognizing the various and voluminous genres of nineteenth-century radical print culture – from fiery speeches and satirical strike songs to political pamphlets, worker song-poems, insurgent novels, and experimental biography – as literature. This chapter explores the ways American literature nevertheless archives radical movements and the ways nineteenth-century radicals engaged with and rethought the canon of American literature. It also considers how nineteenth-century US radicalism shaped American literature more broadly by turning to Henry James’s 1886 novel The Bostonians as an unexpectedly rich archive of radical abolition and its legacies.
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- Publisher: Cambridge University PressPrint publication year: 2025