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Chapter 16 - Political Poetics: Intercrossing Discourses and American Belonging

from Part III - Genres

Published online by Cambridge University Press:  06 March 2025

John D. Kerkering
Affiliation:
Loyola University, Chicago
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Summary

In American culture, there is a mix and mismatch of core discourses: religious, Enlightenment, and market economy. Each claims, contributes, and competes for kinds of belonging and national definition, by abstract principles of equality, particular community of religion and nation, and possessive individualism of each one’s own self-interest. Poetry, far from being private reflection or self-referring aesthetic object, is an arena in which each of these discourses encounter each other. Widely circulated in newspapers, magazines, publicly recited, poetry took part in and also refracted, in especially intense and focal ways, the drama, questions, and terms of belonging crucial to, and conflictual in, the unfolding of America. In this chapter, I explore the intercrossing and contention between American discourses of religion, Enlightenment, and individualism in the Abolitionist poetry of Whittier, the poetry of war in Herman Melville and Emily Dickinson, and the poetry of participation in Walt Whitman. In the texts of each, vocabularies, terms, allusion, and critique of American cultural, religious, and political life form complex interchanges, at times through alignment, at times in tense and critical relationship. The poem becomes a field of confrontation, appeal, and address within the context of their writing as voices of culture take on poetic force.

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Publisher: Cambridge University Press
Print publication year: 2025

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References

Further Reading

Barrett, Faith. To Fight Aloud Is Very Brave: American Poetry and the Civil War. University of Massachusetts Press, 2012.Google Scholar
Cohen, Michael. The Social Lives of Poems in Nineteenth-Century America. University of Pennsylvania Press, 2015.CrossRefGoogle Scholar
Erkkila, Betsy. Whitman the Political Poet. Oxford University Press, 1989.Google Scholar
Erkkila, Betsy. The Whitman Revolution: Sex, Poetry, and Politics. University of Iowa Press, 2020.Google Scholar
Folsom, Ed. “Walt Whitman’s Invention of a Democratic Poetry.” In Bendixen, Alfred and Burt, Stephen, eds., The Cambridge History of American Poetry. Cambridge University Press, 2014, 329359.CrossRefGoogle Scholar
Hoffman, Tyler. “Political Poets and Naturalism.” In Bendixen, Alfred and Burt, Stephen, eds., The Cambridge History of American Poetry. Cambridge University Press, 2014, 472494.CrossRefGoogle Scholar
Jackson, Virginia. Before Modernism: Inventing American Lyric. Princeton University Press, 2023.Google Scholar
Kete, Mary Louise. “The Reception of Nineteenth-Century American Poetry.” In Larson, Kerry, ed., The Cambridge Companion to Nineteenth-Century American Poetry. Cambridge University Press, 2011, 1335.CrossRefGoogle Scholar
Loeffelholz, Mary. From School to Salon: Reading Nineteenth-Century American Women’s Poetry. Princeton University Press, 2004.CrossRefGoogle Scholar
Loeffelholtz, Mary. “Other Voices, Other Verses: Cultures of American Poetry at Midcentury.” In Bendixen, Alfred and Burt, Stephen, eds., The Cambridge History of American Poetry. Cambridge University Press, 2014, 282305.CrossRefGoogle Scholar
Lootens, Tricia. The Political Poetess: Victorian Femininity, Race, and the Legacy of Separate Spheres. Princeton University Press, 2017.CrossRefGoogle Scholar
Renker, Elizabeth. “Nineteenth-Century American Women’s Poetry: Past and Prospects.” In Bauer, Dale M., ed., The Cambridge History of American Women’s Literature. Cambridge University Press, 2012, 232255.CrossRefGoogle Scholar
Seery, John E., ed. A Political Companion to Walt Whitman. University Press of Kentucky, 2011.Google Scholar
Wolosky, Shira. Poetry and Public Discourse in Nineteenth-Century America. Palgrave Macmillan, 2010.CrossRefGoogle Scholar

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