Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-10T11:44:08.578Z Has data issue: false hasContentIssue false

Chapter 8 - Queer Poetics

Deviant Swerves, in Three

from Part III - Representation

Published online by Cambridge University Press:  02 June 2020

By
Ren Ellis Neyra
Edited by
Siobhan B. Somerville
Siobhan B. Somerville
Affiliation:
University of Illinois, Urbana-Champaign
Get access

Summary

This synesthetic chapter enacts listens for queer poetics in theory, queer theory in poetics. Divers semantic, physical, and spatial positions swerve on formal constraint, and in the swerves, skrrts, and twerks that streak verses, piss, ideas, and tire tracks across this chapter, a sense of the range of queer desire emerges. Written with a viscerally formal, Caribbean, Latinx, Diasporic Black Poetics imaginary, this chapter waters the unruly growths of (indigenous, black, and insurgent) geographic and grammatical grounds.

Keywords

SwervePoetic Listeningskrt skrttorqueread libssemantic insurgencyporous protrusionsfemale anal eroticismconstraint
Type
Chapter
Information
The Cambridge Companion to Queer Studies , pp. 125 - 141
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Further Reading

Amin, Kadji, Musser, Amber Jamilla, and Pérez, Roy. “Queer Form: Aesthetics, Race, and the Violences of the Social.” ASAP/Journal 2, no. 2 (2017): 227–39.CrossRefGoogle Scholar
Cole, Henri. Blackbird and Wolf. New York: Farrar, Straus, and Giroux, 2007.Google Scholar
Doyle, Jennifer. “Capturing Semenya.” The Sport Spectacle, August 16, 2016, https://thesportspectacle.com/2016/08/16/capturing-semenya/.Google Scholar
Edwards, Brent Hayes. “Notes on Poetics Regarding Mackey’s Song.” Callaloo 23, no. 2 (2000): 572–91.Google Scholar
Hayden, Robert. Collected Poems. Edited by Glaysher, Frederick. New York: Liveright, 2013.Google Scholar
Las Nietas de Nonó. “Las Nietas de Nonó.” Interview by Sofía Gallisá Muriente. Terremoto, 6, May 30, 2016, http://terremoto.mx/article/interview-with-las-nietas-de-nono/.Google Scholar
Salas Rivera, Raquel. lo terciario / the tertiary. Oakland, CA: Timeless, Infinite Light, 2018.Google Scholar
Sharpe, Christina. In The Wake: On Blackness and Being. Durham, NC: Duke University Press, 2016.Google Scholar
Stone-Richards, Michael. Logics of Separation: Exile and Transcendence in Aesthetic Modernity. Berlin, Germany: Peter Lang, 2011.CrossRefGoogle Scholar
Tolbert, TC, and Peterson, Trace, eds. Troubling the Line: Trans and Genderqueer Poetry and Poetics. Callicoon, NY: Nightboat Books, 2013.Google Scholar
Viego, Antonio. Dead Subjects: Towards a Politics of Loss in Latino Studies. Durham, NC: Duke University Press, 2007.Google Scholar
Young Thug. Jeffery. Atlantic Records, 075678663024, 2016. MP3.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×