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6 - “The Question of These Wars”

Shakespeare, Warfare, and the Chronicles

Published online by Cambridge University Press:  17 August 2021

David Loewenstein
Affiliation:
Pennsylvania State University, University Park
Paul Stevens
Affiliation:
University of Toronto
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Summary

Shakespeare’s plays suggest not so much a preoccupation with war as his recognition of its inescapability. He seems never to have experienced warfare firsthand, but no doubt had spoken to people who had. But most of what Shakespeare knew came from books. Chief among these were the chronicles he depended upon for his histories, primarily the group project we refer to as “Holinshed.” What he found was that warfare is more or less indistinguishable over time, a fact revealed in the tedious repetition of battle accounts, further blurred by the echoing of aristocratic family names over generations – and, in the often-overlooked source of the 1577 Holinshed, in which the recycling of a limited number of woodcuts to illustrate events separated by hundreds of years reveals the dispiriting reality. Ironically, it is in Henry V, Shakespeare’s seemingly most triumphal presentation of English military heroism, in which “the question of these wars” finds an answer.

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Chapter
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Publisher: Cambridge University Press
Print publication year: 2021

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References

Further Reading

Cahill, Patricia A. Unto the Breach: Martial Formations, Historical Trauma, and the Early Modern Stage, Oxford, Oxford University Press, 2008.CrossRefGoogle Scholar
Cavanagh, Dermot, Reeves, Stuart Hampton, and Longstaffe, Stephen (eds). Shakespeare’s Histories and Counter-Histories, Manchester, Manchester University Press, 2006.Google Scholar
Djordjevic, Igor. Holinshed’s Nation: Ideals, Memory, and Practical Policy in the “Chronicles, Farnham, Ashgate, 2010.Google Scholar
Jorgensen, Paul A. Shakespeare’s Military World, Berkeley, University of California Press, 1956.Google Scholar
Kewes, Paulina, Archer, Ian W., and Heal, Felicity (eds). The Oxford Handbook of Holinshed’s “Chronicles,” Oxford, Oxford University Press, 2013.Google Scholar
Knapp, James. Illustrating the Past in Early Modern England: The Representation of History in Printed Books, Farnham, Ashgate, 2003.Google Scholar
Patterson, Annabel. Reading Holinshed’s “Chronicles,” Chicago, University of Chicago Press, 1994.Google Scholar
Rackin, Phyllis. Stages of History: Shakespeare’s English Chronicles, Ithaca, Cornell University Press, 1990.CrossRefGoogle Scholar
Somogyi, Nick de. Shakespeare’s Theatre of War, Aldershot, Ashgate, 1998.Google Scholar
Woolf, Daniel. Reading History in Early Modern England, Cambridge, Cambridge University Press, 2000.Google Scholar

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