Book contents
- The Cambridge Companion to Shakespeare and War
- The Cambridge Companion to Shakespeare and War
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Preface
- Acknowledgments
- 1 Beyond Shallow and Silence
- 2 Just War Theory and Shakespeare
- 3 Shakespeare on Civil and Dynastic Wars
- 4 Foreign War
- 5 War and the Classical World
- 6 “The Question of These Wars”
- 7 Instrumentalizing Anger
- 8 War and Eros
- 9 Shakespeare’s Language and the Rhetoric of War
- 10 Staging Shakespeare’s Wars in the Twentieth and Twenty-First Centuries
- 11 Reading Shakespeare’s Wars on Film
- 12 Shakespeare and World War II
- 13 Henry V and the Pleasures of War
- 14 Macbeth and Trauma
- 15 Coriolanus and the Use of Power
- Index
- References
5 - War and the Classical World
Published online by Cambridge University Press: 17 August 2021
- The Cambridge Companion to Shakespeare and War
- The Cambridge Companion to Shakespeare and War
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Preface
- Acknowledgments
- 1 Beyond Shallow and Silence
- 2 Just War Theory and Shakespeare
- 3 Shakespeare on Civil and Dynastic Wars
- 4 Foreign War
- 5 War and the Classical World
- 6 “The Question of These Wars”
- 7 Instrumentalizing Anger
- 8 War and Eros
- 9 Shakespeare’s Language and the Rhetoric of War
- 10 Staging Shakespeare’s Wars in the Twentieth and Twenty-First Centuries
- 11 Reading Shakespeare’s Wars on Film
- 12 Shakespeare and World War II
- 13 Henry V and the Pleasures of War
- 14 Macbeth and Trauma
- 15 Coriolanus and the Use of Power
- Index
- References
Summary
The classics not only gave Shakespeare the images of war that he drew on in plays based on classical subjects, they also shaped his representation of war more generally. His knowledge of the place of war in the ancient world influenced his view of the ways in which that past informed his own present. Topics in this chapter include the relation of the classical past to the English present, the relation between foreign and domestic war, and the relation between war and peace. What happens when the hero comes home (the subject of Greek and Senecan tragedy): when Titus finishes killing, Antony lets his hair down, Hector relaxes with his family, Achilles withdraws into his tent, Tarquin takes a night off, or Coriolanus tries to turn politician. How also does war inform peace and, further, what is the relation between the “arts” of war and the arts of peace, especially literature?
- Type
- Chapter
- Information
- The Cambridge Companion to Shakespeare and War , pp. 75 - 91Publisher: Cambridge University PressPrint publication year: 2021