Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-12T22:38:10.230Z Has data issue: false hasContentIssue false

Part III - Tango Dance

Published online by Cambridge University Press:  15 March 2024

Kristin Wendland
Affiliation:
Emory University, Atlanta
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Further Reading

Apprill, Christophe. “Des nuits à danser: passion ou décentrement?” In Tango sans frontiers, edited by Joyal, France, 81113. Québec, Presses de l’Université du Québec, 2010.Google Scholar
Apprill, Christophe. “L’hétérosexualité et les danses de couple.” In Hétéros: Discours, lieux, pratiques, edited by Catherine Deschamps, Laurent Gaissad, and Taraud, Christelle, 97108. Paris: Epel Éditions, 2009.Google Scholar
Ayral, Sylvie and Raibaud, Yves, eds. Pour en finir avec la fabrique des garçons. Bordeaux: Maison des sciences de l’Homme d’Aquitaine, 2014.Google Scholar
Castro, Donald S. The Argentine Tango as Social History (1880–1955): The Soul of the People. New York: Edwin Mellen Press, 1991.Google Scholar
García Blaya, Ricardo. “Reflexiones sobre los origenes del tango.” Todotango. Accessed July 25, 2022, www.todotango.com/historias/cronica/103/Reflexiones-sobre-los-origenes-del-tango/.Google Scholar
Hess, Rémi. Le tango. Paris: Presses universitaires de France, 1996.Google Scholar
Humbert, , Béatrice.“Le tango à Paris de 1907 à 1920.” In Tango nomade, edited by Pelinski, Ramón, 109162. Montréal: Éditions Triptyque, 1995.Google Scholar
Nahoum-Grappe, Véronique. “Le couple en piste.” In Danses latines et identité, d’une rive à l’autre …, edited by Dorier-Apprill, Elisabeth, 191212. Paris: L’Harmattan, 2000.Google Scholar
Salas, Horacio. Le tango. Arles: Actes sud, 1989.Google Scholar
Walkowitz, Judit. “Sexualités dangereuses.” In Histoire des femmes. Le XIXème siècle, edited by Duby, George and Perrot, Michelle, 390418. Paris: Plon, 1991.Google Scholar

Further Reading

Anzaldi, Franco Barrionuevo. “The New Tango Era in Buenos Aires: The Transformation of a Popular Culture into a Touristic ‘Experience Economy’.” Paper presented at the II ISA Forum of Sociology, Buenos Aires, August 1–4, 2012.Google Scholar
Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press, 1996.Google Scholar
Cara, Ana C.Entangled Tangos: Passionate Displays, Intimate Dialogues.” Journal of American Folklore 122, no. 486 (Fall 2009): 438465.CrossRefGoogle Scholar
Carozzi, María Julia. “Light Women Dancing Tango: Gender Images as Allegories of Heterosexual Relationships.” Current Sociology 61, no. 1 (January 2013): 2239.CrossRefGoogle Scholar
Delgado, Celeste Fraser, and Esteban Muñoz, José. “Rebellions of Everynight Life.” In Everynight Life: Culture and Dance in Latin/o America, edited by Delgado, Celeste Fraser and Muñoz, José Esteban, 932. Durham, NC: Duke University Press, 1997.CrossRefGoogle Scholar
Pelinski, Ramón Aldolfo. El tango nómade: ensayos sobre la diáspora del tango. Buenos Aires: Corregidor, 2000.Google Scholar
Pellarolo, Sirena. “Queering Tango: Glitches in the Hetero-National Matrix of a Liminal Cultural Production.” Theater Journal 60, no. 3 (October 2008): 409431.CrossRefGoogle Scholar
Savigliano, Marta E. Tango and the Political Economy of Passion. Boulder, CO: Westview Press, 1995.Google Scholar
Savigliano, Marta E. Angora Matta: Fatal Acts of North-South Translation. Middletown, CT: Wesleyan University Press, 2003.Google Scholar

Further Reading

Benzekry Sabá, Gustavo. 2015. The Quest for the Embrace: The History of Tango Dance 1800–1983. Urquillo: Editorial Abrazos.Google Scholar
Carozzi, María Julia. Aquí se baila el tango: Una etnografía de las milongas porteñas. Buenos Aires: Siglo Veintiuno Editores, 2015.Google Scholar
Denniston, Christine. The Meaning of Tango: The Story of the Argentine Tango. London: Portico Books, 2007.Google Scholar
Kimmel, Michael. “A Cognitive Theory of Joint Improvisation: The Case of Tango Argentino.” In The Oxford Handbook of Improvisation in Dance edited by Vida, L. Midgelow, 563591. New York: Oxford University Press, 2019.Google Scholar
Lavocah, Michael. Tango Stories: Musical Secrets. Norwich: Milonga Press, 2014.Google Scholar
Liska, Mercedes. “The Geopolitics of Queer Tango: From Buenos Aires to a Community of Translocal Practice.” In Made in Latin America: Studies in Popular Music, edited by Mendívil, Julio and Espinosa, Christian Spencer, 125134. New York: Routledge, 2016.Google Scholar
Liska, MercedesDancing in High Heels: A Material Culture Approach to Argentine Tango.” In Social Matter(s): Recent Approaches to Materiality, edited by Bampilis, Tryfon and Keurs, Pieter ter, 91116. Münster: LIT Verlag, 2014.Google Scholar
Stepputat, Kendra. “Tango Musicality and Tango Danceability: Reconnecting Strategies in Current Cosmopolitan Tango Argentino Practice.” the world of music (new series) 9, no. 2 (2020): 5168.Google Scholar
Stepputat, KendraTango Journeys: Going on a Pilgrimage to Buenos Aires.” In Dance. Senses. Urban Contexts: Proceedings of the 29th Symposium of the ICTM Study Group on Ethnochoreology, edited by Stepputat, Kendra, 195205. Aachen: Shaker Verlag, 2017.Google Scholar
Stepputat, Kendra, and Djebbari, Elina. “The Separation of Music and Dance in Translocal Contexts.” world of music (new series) 9, no. 2 (2020): 530.Google Scholar

Further Reading

Agunos, Misha. “Are You Actually Dancing Tango If You Aren’t Dismantling Systems of Oppression?” Oxygen Tango, June 10, 2021. www.oxygentango.com/blog/tangoandoppression.Google Scholar
Biss, Eula. On Immunity: An Inoculation. Minneapolis: Graywolf Press, 2014.Google Scholar
Del Mazo, Mariano, and D’Amore, Adrián. Quien Me Quita Lo Bailado. Buenos Aires: Ediciones Corregidor, 2001.Google Scholar
Fabiano, Sharna. Lead and Follow: The Dance of Inspired Teamwork. Virginia Beach: Koehler Books, 2021.Google Scholar
Kral, German. Un tango más. Culver City: Strand Releasing Home Video, 2016.Google Scholar
Londoño, Ernesto. “‘A Caricature of the Patriarchy’: Argentine Feminists Remake Tango.” New York Times, October 5, 2019. www.nytimes.com/2019/10/05/world/americas/argentina-tango-gender.html.Google Scholar
McGowan, Charis. “All-Women Argentina Tango Festival Calls for End to Machismo,” Al Jazeera, March 12, 2019. www.aljazeera.com/news/2019/3/12/all-women-argentina-tango-festival-calls-for-end-to-machismo.Google Scholar
Merritt, Carolyn. Tango Nuevo. Gainesville: University Press of Florida, 2012.CrossRefGoogle Scholar
McMains, Juliet. “Rebellious Wallflowers and Queer Tangueras: The Rise of Female Leaders in Buenos Aires’ Tango Scene,” Dance Research 36, no. 2 (2018): 173197.CrossRefGoogle Scholar
Runyan, Christine. “What’s Happening in Our Nervous Systems?” Interview by Krista Tippett, On Being, March 18, 2021. https://onbeing.org/programs/christine-runyan-whats-happening-in-our-nervous-systems/.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×