Book contents
- Frontmatter
- Contents
- Figures
- Notes on Contributors
- Acknowledgments
- Celestial Bodies
- Part I Extraction and Abstraction
- Part II Black Optics
- 7 Synesthetic Embodiment
- 8 Dancing Bodies
- 9 Celebrity Bodies
- 10 Embodied Black Aliveness
- 11 Staging Racial Passing
- 12 Passing Bodies
- Part III Quare Bodies
- Notes
- Bibliography
- Index
- Cambridge Companions To …
10 - Embodied Black Aliveness
from Part II - Black Optics
Published online by Cambridge University Press: 09 May 2024
- Frontmatter
- Contents
- Figures
- Notes on Contributors
- Acknowledgments
- Celestial Bodies
- Part I Extraction and Abstraction
- Part II Black Optics
- 7 Synesthetic Embodiment
- 8 Dancing Bodies
- 9 Celebrity Bodies
- 10 Embodied Black Aliveness
- 11 Staging Racial Passing
- 12 Passing Bodies
- Part III Quare Bodies
- Notes
- Bibliography
- Index
- Cambridge Companions To …
Summary
Set in the midst of the quotidian anti-Black terrorism that circumscribed Black life in Jim Crow America, the HBO series Lovecraft Country seamlessly combines Black history and graphic horror to tell a story through a distinctly Black creative and reflective lens. A reading of the journey of Hippolyta Freeman in episode 7, “I Am,” reveals how the means of embodiment, speculative fiction, and elements of Black feminist Afrofuturism are used as a fulcrum to shift the critical weight away from the grim reality of oppression and towards the possibility of escape and liberation. The episode offers a revolutionary representation of the Black body as a conduit for self-discovery, a tool for circumventing anti-Blackness, and ultimately a vehicle for affirming a broader spectrum of Black aliveness that reverberates far beyond the realm of speculative fiction.
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- The Cambridge Companion to the Black Body in American Literature , pp. 145 - 158Publisher: Cambridge University PressPrint publication year: 2024