Book contents
- The Cambridge Companion to The Canterbury Tales
- The Cambridge Companion to The Canterbury Tales
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Note on the Text
- Chronology
- Abbreviations
- 1 The Form of the Canterbury Tales
- 2 Manuscripts, Scribes, Circulation
- 3 The General Prologue
- 4 The Knight’s Tale and the Estrangements of Form
- 5 The Miller’s Tale and the Art of Solaas
- 6 The Man of Law’s Tale
- 7 The Wife of Bath’s Prologue and Tale
- 8 The Friar’s Tale and TheSummoner’s Tale in Word and Deed
- 9 Griselda and the Problem of the Human in The Clerk’s Tale
- 10 The Franklin’s Symptomatic Sursanure
- 11 The Pardoner and His Tale
- 12 The Prioress’s Tale
- 13 The Nun’s Priest’s Tale
- 14 Moral Chaucer
- 15 Chaucer’s Sense of an Ending
- 16 Postscript: How to Talk about Chaucer with Your Friends and Colleagues
- Further Reading
- Index
- Cambridge Companions to …
2 - Manuscripts, Scribes, Circulation
Published online by Cambridge University Press: 21 August 2020
- The Cambridge Companion to The Canterbury Tales
- The Cambridge Companion to The Canterbury Tales
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Note on the Text
- Chronology
- Abbreviations
- 1 The Form of the Canterbury Tales
- 2 Manuscripts, Scribes, Circulation
- 3 The General Prologue
- 4 The Knight’s Tale and the Estrangements of Form
- 5 The Miller’s Tale and the Art of Solaas
- 6 The Man of Law’s Tale
- 7 The Wife of Bath’s Prologue and Tale
- 8 The Friar’s Tale and TheSummoner’s Tale in Word and Deed
- 9 Griselda and the Problem of the Human in The Clerk’s Tale
- 10 The Franklin’s Symptomatic Sursanure
- 11 The Pardoner and His Tale
- 12 The Prioress’s Tale
- 13 The Nun’s Priest’s Tale
- 14 Moral Chaucer
- 15 Chaucer’s Sense of an Ending
- 16 Postscript: How to Talk about Chaucer with Your Friends and Colleagues
- Further Reading
- Index
- Cambridge Companions to …
Summary
The eighty-four surviving manuscripts containing all or part of the Canterbury Tales present something of a headache for modern editors of the work, who must select from among these competing authorities in order to present the work in a single form. But this large number of diverse copies, and the nine extant fragments that probably attest to once-complete MSS, can tell us much about the way Chaucer’s work was read and repackaged in the century following his death. When we look beyond the famous Hengwrt and Ellesmere manuscripts, early and authoritative witnesses to Chaucer’s text, we discover that just as valuable are the so-called “bad texts,” with their abundance of scribal readings, linking passages, and rearrangements of the tales; copies like these have much to tell us about scribal attitudes to Chaucer’s work and its reception and about the development and professionalization of the London book trade.
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- Information
- The Cambridge Companion to The Canterbury Tales , pp. 21 - 44Publisher: Cambridge University PressPrint publication year: 2020