Book contents
- The Cambridge Companion to the Electric Guitar
- Cambridge Companions to Music
- The Cambridge Companion to the Electric Guitar
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- 1 Introduction
- Part I History
- Part II Technology and Timbre
- Part III Musical Style and Technique
- Part IV The Electric Guitar in Society
- Part V The Global Instrument
- Index
- References
Part IV - The Electric Guitar in Society
Published online by Cambridge University Press: 08 November 2024
Book contents
- The Cambridge Companion to the Electric Guitar
- Cambridge Companions to Music
- The Cambridge Companion to the Electric Guitar
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- 1 Introduction
- Part I History
- Part II Technology and Timbre
- Part III Musical Style and Technique
- Part IV The Electric Guitar in Society
- Part V The Global Instrument
- Index
- References
- Type
- Chapter
- Information
- The Cambridge Companion to the Electric Guitar , pp. 207 - 284Publisher: Cambridge University PressPrint publication year: 2024
References
Selected Bibliography
Dahl, Linda, Stormy Weather: The Music and Lives of a Century of Jazzwomen (Pantheon Books, 1984).Google Scholar
Garon, Paul and Garon, Beth, Woman With Guitar: Memphis Minnie’s Blues (Da Capo Press, 1992).Google Scholar
Selected Bibliography
Ackerley, Charlotte, “Women and Guitar,” in The Guitar Player Book, edited by Ferguson, Jim (Grove Press, Inc., 1979).Google Scholar
Bayton, Mavis, “Women and the Electric Guitar,” in Sexing the Groove: Popular Music and Gender, edited by Whiteley, Sheila (Routledge, 1997).Google Scholar
Brooks, Daphne, Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound (Duke University Press, 2021).Google Scholar
Garon, Paul and Garon, Beth, Woman with Guitar: Memphis Minnie’s Blues (Da Capo Press, 1992).Google Scholar
Handy, D. Antoinette, Black Women in American Bands & Orchestras (Scarecrow Press, 1981).Google Scholar
Johnson, Maria V., “Black Women Electric Guitarists and Authenticity in the Blues,” in Black Women and Music: More Than The Blues, edited by Hayes, Eileen M. and Williams, Linda F. (University of Illinois Press, 2007), pp. 51–71.Google Scholar
Levine, Nancy, “Women in the Blues: ‘She Plays Blues Like A Man’: Gender Bending the Country Blueswomen,” Blues Revue Quarterly 7 (Winter 1993): 34–38.Google Scholar
Mahon, Maureen, Black Diamond Queens: African American Women and Rock and Roll (Duke University Press, 2020).Google Scholar
Waksman, Steve, Instruments of Desire: The Electric Guitar and The Shaping of Musical Experience (Harvard University Press, 1999).Google Scholar
Wald, Gayle, Shout, Sister, Shout! The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe (Beacon Press, 2007).Google Scholar
Selected Bibliography
Bennett, Bradley C. “The Sound of Trees: Wood Selection in Guitars and Other Chordophones,” Economic Botany 70 (2016): 49–63.CrossRefGoogle Scholar
Genova, Patrick, “Good Vibrations: The Push for New Laws and Industry Practices in American Instrument Making,” William & Mary Environmental Law and Policy Review 38 (2013): 195–220.Google Scholar
Gibson, Chris, “A Sound Track to Ecological Crisis: Tracing Guitars All the Way Back to the Tree,” Popular Music 38 (2019): 183–203.CrossRefGoogle Scholar
Gibson, Chris and Warren, Andrew, The Guitar: Tracing the Grain Back to the Tree (University of Chicago Press, 2021).CrossRefGoogle Scholar
Herbst, Jan-Peter and Menze, Jonas, Gear Acquisition Syndrome: Consumption of Instruments and Technology in Popular Music (University of Huddersfield Press, 2021).CrossRefGoogle Scholar
Martinez-Reyes, José, “Mahogany Intertwined: Environmateriality between Mexico, Fiji, and the Gibson Les Paul,” Journal of Material Culture 20 (2015): 313–329.CrossRefGoogle Scholar
Thomas, John, “The Impact of the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) on International Cultural Musical Exchange,” in Frenkel, David (ed.), International Law, Conventions and Justice (Institute for Education and Research, 2011), pp. 81–92.Google Scholar
Selected Bibliography
Avdeeff, Melissa, “Engagement and Technologies of Taste,” in Mediated Youth Cultures: The Internet, Belonging and New Cultural Configurations, edited by Bennett, Andy and Robards, Brady (Palgrave Macmillan, 2014), pp. 130–145.CrossRefGoogle Scholar
Dawe, Kevin, The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance (Ashgate, 2010).Google Scholar
Dawe, Kevin “Guitar Ethnographies: Performance, Technology and Material Culture,” Ethnomusicology Forum 22/1 (2013): 1–25.CrossRefGoogle Scholar
Hughes, Jerald and Lang, Karl Reiner, “If I Had a Song: The Culture of Digital Community Networks and Its Impact on the Music Industry,” International Journal on Media Management 5/3 (2003): 180–189.CrossRefGoogle Scholar
Waldron, Janice, “Online Music Communities and Social Media,” in The Oxford Handbook of Community Music, edited by Bartleet, Brydie-Leigh and Higgins, Lee (Oxford University Press, 2018), pp. 109–130.Google Scholar
Wenger, Etienne, Communities of Practice: Learning, Meaning, and Identity (Cambridge University Press, 1998).CrossRefGoogle Scholar