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Part II - Technology and Timbre

Published online by Cambridge University Press:  08 November 2024

Edited by
Jan-Peter Herbst  and
Steve Waksman
Jan-Peter Herbst
Affiliation:
University of Huddersfield
Steve Waksman
Affiliation:
Smith College, Massachusetts
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The Cambridge Companion to the Electric Guitar , pp. 71 - 128
Publisher: Cambridge University Press
Print publication year: 2024

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References

Selected Bibliography

Atkinson, Paul, Amplified: A Design History of the Electric Guitar (Reaktion Books, 2021).Google Scholar
Dudley, Kathryn Marie, Guitar Makers: The Endurance of Artisanal Values in North America (University of Chicago Press, 2014).CrossRefGoogle Scholar
Edgers, Geoff, “Why My Guitar Gently Weeps: The Slow Secret Death of the Electric Guitar,” The Washington Post (2017). Available at www.washingtonpost.com/graphics/2017/lifestyle/the-slow-secret-death-of-the-electric-guitar (accessed May 3, 2023).Google Scholar
Gartman, David, Auto-Opium: A Social History of American Automobile Design (Routledge, 1994).Google Scholar
Millard, André, The Electric Guitar: A History of an American Icon (Johns Hopkins University Press, 2004).CrossRefGoogle Scholar
Tolinski, Brad and di Perna, Alan, Play It Loud: An Epic History of the Style, Sound, & Revolution of the Electric Guitar (Penguin Random House, 2017).Google Scholar
Waksman, Steve, “California Noise: Tinkering with Hardcore and Heavy Metal in Southern California,” Social Studies of Science 34/5 (2004): 675–702.CrossRefGoogle Scholar

Selected Bibliography

Doyle, Peter, “Ghosts of Electricity: Amplification,” in The SAGE Handbook of Popular Music, edited by Bennett, Andy and Waksman, Steve (SAGE, 2015), pp. 532–548.CrossRefGoogle Scholar
Hill, Matthew, “George Beauchamp and the Rise of the Electric Guitar up to 1939,” unpublished PhD thesis, University of Edinburgh (2013).Google Scholar
McSwain, Rebecca, “The Social Reconstruction of a Reverse Salient in Electrical Guitar Technology: Noise, the Solid Body, and Jimi Hendrix,” in Music and Technology in the Twentieth Century, edited by Braun, Hans-Joachim (Johns Hopkins University Press, 2002), pp. 186–198.Google Scholar
Waksman, Steve, “California Noise: Tinkering with Hardcore and Heavy Metal in Southern California,” Social Studies of Science 34/5 (2004): 675–702.CrossRefGoogle Scholar

Selected Bibliography

Bailey, Owen, Dickson, Jamie, and Hamilton, Ross (eds.), The Guitarist Guide to Effects Pedals Seventh Edition. Special issue of Guitarist Magazine (Future PLC, 2021).Google Scholar
Bjørn, Kim and Harper, Scott, Pedal Crush: Stompbox Effects for Creative Music Making (Bjooks, 2019).Google Scholar
Fink, Robert, Latour, Melinda, and Wallmark, Zachary (eds.), The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford University Press, 2018).CrossRefGoogle Scholar
Hunter, Dave, Guitar Effects: Pedals. The Practical Handbook (Backbeat Books, 2004).Google Scholar
Hunter, Dave, Tone Manual: Discovering Your Ultimate Electric Guitar Sound (Backbeat Books, 2011).Google Scholar
Light, Ronald, Pedal Culture: Guitar Effects Pedals as Cultural Artifacts (Backbeat Books 2021).Google Scholar
Paz, Eilon, Epstein, Dan, and Rotondi, James, Stompbox: 100 Pedals of the World’s Greatest Guitarists (Ten Speed Press, 2021).Google Scholar
Thompson, Art, Stompbox: A History of Guitar Fuzzes, Flangers, Phasers, Echoes & Wahs (Miller Freeman Books, 1997).Google Scholar

Recommended Viewing

Lux, Michael, and Orkin, Daniel, directors, The Pedal Movie. Reverb.com (2021). Available at https://reverb.com/page/the-pedal-movie (accessed October 19, 2022).Google Scholar
That Pedal Show. YouTube. www.youtube.com/c/thatpedalshow.Google Scholar
The JHS Show. YouTube. www.youtube.com/@jhspedals.Google Scholar

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