Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-gbm5v Total loading time: 0 Render date: 2024-12-28T17:01:28.167Z Has data issue: false hasContentIssue false

9 - Devised Theatre and the Performance of Science

Published online by Cambridge University Press:  20 January 2021

By
Mike Vanden Heuvel
Edited by
Kirsten E. Shepherd-Barr
Kirsten E. Shepherd-Barr
Affiliation:
University of Oxford
Get access

Summary

Chapter 9: This chapter begins by noting that as science has become more interdisciplinary and recognized as a form of contingent knowledge circulated across cultural fields, devising has emerged as a suitable method for creating performances with scientific content and themes. By virtue of its multivocality (involving a number of authors), its multimodal forms of storytelling and address (through language, dance, physicalization, digital media, installation and site-specific environments, and the like), and its presentational modes, devised performance can often render scientific ideas performative, capturing not just what they ‘are’ but what they ‘do’ and how they disseminate in the public understanding. Across scientific fields that are increasingly interrelated, devised performance provides new ways to move beyond merely conveying scientific ideas, choosing instead to invite spectators actively to map domains of knowledge and construct ideas that are constantly in transit.

Keywords

collective creationdevised theatreinterdisciplinarityperformativityphysical theatrepostdramatic
Type
Chapter
Information
The Cambridge Companion to Theatre and Science , pp. 131 - 145
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Suggested Reading

Angelaki, Vicky. Theatre & Environment. London, 2019.Google Scholar
Brown, Andrew, and Wetherell, Mole. Trial: A Study of the Devising Process in Reckless Sleepers’ ‘Schrödinger’s Box’. Plymouth, UK, 2007.Google Scholar
Campos, Liliane, and Shepherd-Barr, Kirsten. ‘Science and Theatre in Open Dialogue: Biblioetica, Le Cas de Sophie K. and the Postdramatic Science Play’. Interdisciplinary Science Reviews 31, no. 3 (2006): 245–53.CrossRefGoogle Scholar
Campos, Liliane, and Shepherd-Barr, Kirsten. ‘Searching for Resonance: Scientific Patterns in Complicité’s Mnemonic and A Disappearing Number’. Interdisciplinary Science Reviews 32, no. 4 (2007): 326–34.CrossRefGoogle Scholar
Chaudhuri, Una. Research Theatre, Climate Change, and the Ecocide Project. New York, 2016.Google Scholar
Hancock, Alan. ‘Chaos in Drama: The Metaphors of Chaos Theory as a Way of Understanding Drama Process’. N.A.D.I.E. Journal 19, no. 1 (1995): 15–26.Google Scholar
Heddon, Deirdre, and Milling, Jane. Devising Performance: A Critical History. Houndsmills, UK, 2006.Google Scholar
Jordan, Andy. ‘Science-in Theatre: A New Genre?’ In Consciousness, Theatre, Literature and the Arts 2013, ed. Meyer-Dinkgräfe, Daniel. Cambridge, 2014, 1–32.Google Scholar
Kemp, Rick. ‘Devising – Embodied Creativity in Distributed Systems’. In The Routledge Companion to Theatre, Performance, and Cognitive Science, ed. Kemp, Rick and McConachie, Bruce. New York, 2019, 48–57.Google Scholar
Lehmann, Hans-Thies. Postdramatic Theatre. New York, 2006.CrossRefGoogle Scholar
Secord, James A. ‘Knowledge in Transit’. Isis 95, no. 4 (December 2004): 654–72.CrossRefGoogle ScholarPubMed
Shaughnessy, Nicola. Affective Performance and Cognitive Science: Body, Brain, and Being. London, 2013.CrossRefGoogle Scholar
Shepherd-Barr, Kirsten. Science on Stage: From “Doctor Faustus” to “Copenhagen”. Princeton, 2006.CrossRefGoogle Scholar
Sleigh, Charlotte, and Craske, Sarah. ‘Art and Science in the UK: A Brief History and Critical Reflection’. Interdisciplinary Science Reviews 42, no. 4 (October 2017): 313–30.Google Scholar
Stanier, Philip. ‘The Distance Covered: Third Angel’s 9 Billion Miles from Home’. In Devising in Process, ed. Mermikides, Alex and Smart, Jackie. Houndmills, UK, 2010, 110–27.Google Scholar
Vanden Heuvel, Mike. ‘“The Acceptable Face of the Unintelligible”: Intermediality and the Science Play’. Interdisciplinary Science Review 38, no. 4 (2013): 365–79.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×