Book contents
- The Cambridge Companion to Wagner’s Der Ring des Nibelungen
- Cambridge Companions to Music
- The Cambridge Companion to Wagner’s Der Ring des Nibelungen
- Copyright page
- Contents
- Figures
- Music Examples
- Contributors
- Preface
- Abbreviations
- Introduction
- Part I Myth
- Part II Aesthetics
- Part III Interpretations
- Part IV Impact
- 11 Critical Responses
- 12 Placing the Ring in Literary History
- 13 Specters of Nazism
- 14 The Ring in Cinematic and Popular Culture
- 15 Notable Productions
- Bibliography
- Index
14 - The Ring in Cinematic and Popular Culture
from Part IV - Impact
Published online by Cambridge University Press: 18 September 2020
- The Cambridge Companion to Wagner’s Der Ring des Nibelungen
- Cambridge Companions to Music
- The Cambridge Companion to Wagner’s Der Ring des Nibelungen
- Copyright page
- Contents
- Figures
- Music Examples
- Contributors
- Preface
- Abbreviations
- Introduction
- Part I Myth
- Part II Aesthetics
- Part III Interpretations
- Part IV Impact
- 11 Critical Responses
- 12 Placing the Ring in Literary History
- 13 Specters of Nazism
- 14 The Ring in Cinematic and Popular Culture
- 15 Notable Productions
- Bibliography
- Index
Summary
Allusions to and citations of Richard Wagner abound in popular culture, but allusions to the Ring cycle are uniquely fraught. They assume some familiarity with a monumental work that resists easy pop cultural grinding up. This chapter traces different strategies employed by writers, performers, directors, and film composers to engage, whether humorously or seriously, with a work that is as difficult to cite as it is tempting to make grist for the pop-cultural mill.
- Type
- Chapter
- Information
- The Cambridge Companion to Wagner's Der Ring des Nibelungen , pp. 317 - 336Publisher: Cambridge University PressPrint publication year: 2020