Book contents
- The Cambridge Companion to Women Composers
- Cambridge Companions to Music
- The Cambridge Companion to Women Composers
- Copyright page
- Dedication
- Contents
- Figures
- Music Examples
- Contributors
- Acknowledgements
- Abbreviations
- Prologue
- Part I Themes in Studying Women Composers
- Part II Highlighting Women Composers before 1750
- Part III Women Composers circa 1750–1880
- Part IV Women Composers circa 1880–2000
- Bibliography
- Index
- References
Part II - Highlighting Women Composers before 1750
Published online by Cambridge University Press: 23 May 2024
Book contents
- The Cambridge Companion to Women Composers
- Cambridge Companions to Music
- The Cambridge Companion to Women Composers
- Copyright page
- Dedication
- Contents
- Figures
- Music Examples
- Contributors
- Acknowledgements
- Abbreviations
- Prologue
- Part I Themes in Studying Women Composers
- Part II Highlighting Women Composers before 1750
- Part III Women Composers circa 1750–1880
- Part IV Women Composers circa 1880–2000
- Bibliography
- Index
- References
Summary
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- Information
- The Cambridge Companion to Women Composers , pp. 93 - 158Publisher: Cambridge University PressPrint publication year: 2024
References
Further Reading
Bain, Jennifer, ed. The Cambridge Companion to Hildegard of Bingen (Cambridge: Cambridge University Press, 2021).CrossRefGoogle Scholar
Bennett, Judith M. and Karras, Ruth Mazo, eds. The Oxford Handbook of Women and Gender in Medieval Europe (Oxford: Oxford University Press, 2013).CrossRefGoogle Scholar
Bugyis, Katie Ann-Marie. The Care of Nuns: Benedictine Women’s Ministries in England during the Central Middle Ages (Oxford: Oxford University Press, 2019).CrossRefGoogle Scholar
Gordon, Matthew and Hain, Kathryn A., eds. Concubines and Courtesans: Women and Slavery in Islamic History (New York: Oxford University Press, 2017).CrossRefGoogle Scholar
Gottzén, Lucas, Mellström, Ulf, and Shefer, Tamara, eds. Routledge International Handbook of Masculinity Studies (Abingdon: Routledge, 2019).CrossRefGoogle Scholar
Suggested Further Reading and Listening
Bertoglio, Chiara, ‘Music and Women’, Chapter 11 in Reforming Music: Music and the Religious Reformations of the Sixteenth Century (Berlin: De Gruyter, 2017), 625–84.CrossRefGoogle Scholar
Ensemble Laus Concentus, I canti di Euterpe: Composizioni femminili (XVI – XVII secolo) (La bottega discantica, 1998).Google Scholar
Further Reading
Fontijn, Claire. Desperate Measures: The Life and Music of Antonia Bembo (Oxford: Oxford University Press, 2006).CrossRefGoogle Scholar
Glickman, Sylvia and Schleifer, Martha Furman, eds. Women Composers: Music through the Ages (New York: G. K. Hall & Co., 1996).Google Scholar
Kendrick, Robert L. Celestial Sirens: Nuns and Their Music in Early Modern Milan (Oxford: Clarendon Press, 1996).CrossRefGoogle Scholar
Moroney, Davitt. ‘Les muses en juppe: The Airs of Anne Madeleine Guedon de Presles’, in Noter, annoter, éditer la musique: mélanges offerts à Catherine Massip, ed. Reynaud, C. and Schneider, H., 213–399 (Geneva: Librairie Droz, 2012).Google Scholar
Page, Janet K. Convent Music and Politics in Eighteenth-Century Vienna (Cambridge: Cambridge University Press, 2014).CrossRefGoogle Scholar
Rosand, Ellen. ‘Barbara Strozzi, “virtuosissima cantatrice”: The Composer’s Voice’, Journal of the American Musicological Society, 31/2 (Summer 1978), 241–81.CrossRefGoogle Scholar