Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-28T15:43:07.505Z Has data issue: false hasContentIssue false

1 - Women in Composition before the Second World War

from Part I - The Classical Tradition

Published online by Cambridge University Press:  17 April 2021

By
Sophie Fuller
Edited by
Laura Hamer
Laura Hamer
Affiliation:
The Open University, Milton Keynes
Get access

Summary

In Chapter 1, Sophie Fuller considers the musical landscape which composers working in the earlier twentieth century inhabited. From the early days of the twentieth century, when women were expected to concentrate upon song and small-scale piano works, to the wider opportunities which opened up during the interwar period, Fuller considers a range of composers, including Cécile Chaminade, Maude Valérie White, Louise Adolpha Le Beau, Ethel Smyth, Adela Maddison, Poldowski (Irene Wieniawska), Marguerite Canal, Jeanne Leleu, Elizabeth Maconchy, Grace Williams, Ruth Crawford Seeger, Elsa Barraine, Germaine Tailleferre, and Alma Mahler.

Keywords

Women composersEarly Twentieth CenturyFirst World Wareducationgenrecriticismgender discrimination
Type
Chapter
Information
The Cambridge Companion to Women in Music since 1900 , pp. 3 - 17
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Further Reading

Block, Adrienne Fried. Amy Beach: Passionate Victorian: The Life and Work of an American Composer 1867–1944 (New York and Oxford: Oxford University Press, 1998).CrossRefGoogle Scholar
Brown, Rae Linda, The Heart of a Woman: The Life and Music of Florence B. Price (Urbana, Chicago and Springfield: University of Illinois Press, 2020).Google Scholar
Hamer, Laura. Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919–1939 (Abingdon and New York: Routledge, 2018).Google Scholar
Mathias, Rhiannon. Lutyens, Maconchy, Williams and Twentieth-Century British Music: A Blest Trio of Sirens (Farnham: Ashgate, 2012).Google Scholar
Tick, Judith. Ruth Crawford Seeger: A Composer’s Search for American Music (Oxford and New York: Oxford University Press, 1997).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×