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155 - Antony and Cleopatra: Interview with Harriet Walter

from Part XVI - Making the Scene

Published online by Cambridge University Press:  17 August 2019

By
Paul Edmondson
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

CleopatraDoran, GregoryElizabeth IimagerypoetrypoliticsspaceSwan (playhouse)Walter, Harriet
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1161 - 1165
Publisher: Cambridge University Press
Print publication year: 2016

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References

Source cited

Interview with Walter, Harriet. 8 October 2010. Hammersmith, London.Google Scholar

Further reading

Edmondson, Paul. “Harriet Walter.” The Routledge Companion to Actors’Shakespeare. Ed. Brown, John Russell. Abingdon: Routledge, 2012. 254–67.Google Scholar
Escolme, Bridget. Antony and Cleopatra. Shakespeare Handbooks. Basingstoke: Palgrave Macmillan, 2006.CrossRefGoogle Scholar
Rutter, Carol. Clamorous Voices: Shakespeare’s Women Today. London: Women’s Press, 1988.Google Scholar
Walter, Harriet. “Imogen in Cymbeline.” Players of Shakespeare. Vol. 3. Ed. Jackson, Russell and Smallwood, Robert. Cambridge: Cambridge University Press, 1993.Google Scholar
Walter, Harriet. Macbeth. Actors on Shakespeare. London: Faber and Faber, 2002.Google Scholar
Walter, Harriet. Other People’s Shoes: Thoughts on Acting. London: Nick Hern Books, 1999. Rpt. 2006.Google Scholar

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