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261 - Book Illustrations

from Part XXVII - Shakespeare and the Visual Arts

Published online by Cambridge University Press:  17 August 2019

By
Erin C. Blake
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

artists’ booksBoitard, FrançoisBoydell, JohnBoydell, JosiahBoydell Shakespeare GalleryChagall, MarcCraig, E. GordonCranach PressDali, SalvadorDoggett, SueengravingsFaithorne, WilliamFolio Societyfrontispiecesgift bookshalftonesHamletHanmer, ThomasHayman, FrancisillustrationsKing LearKnight, Charleslithographslivre d’artisteMacbethMacquoid, PercyA Midsummer Night’s DreamNew Cambridge ShakespeareNoguchi, IsamoRackham, ArthurThe Rape of LucreceRowe, Nicholassteel engravingsThe Taming of the ShrewThe TempestThompson, JohnThurston, JohnWhittingham, CharlesWoodcutswood engraving
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1873 - 1879
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Allentuck, Marcia. “Sir Thomas Hanmer Instructs Francis Hayman: An Editor’s Notes to His Illustrator (1744).” Shakespeare Quarterly 27.3 (1976): 288–315.CrossRefGoogle Scholar
Holland, Peter. “Performing Shakespeare in Print: Narrative in Nineteenth-Century Illustrated Shakespeares.” Victorian Shakespeare. Ed. Marshall, Gail and Poole, Adrian. Vol. 1. Basingstoke: Palgrave Macmillan, 2003. 47–72.Google Scholar
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare Publishing. Cambridge: Cambridge University Press, 2003.Google Scholar
Scolnicov, Hanna. “Chagall’s Tempest: An Autobiographical Reading.” Shakespeare Survey 62 (2009): 151–61. Cambridge Collections Online. Cambridge University Press. Accessed 19 December 2010. DOI:10.1017/CCOL9780521111034.012.Google Scholar
Sillars, Stuart. The Illustrated Shakespeare, 1709–1875. Cambridge: Cambridge University Press, 2008.Google Scholar

Further reading

Bate, Jonathan. “Pictorial Shakespeare: Text, Stage, Illustration.” Book Illustrated: Text, Image, and Culture, 1770–1930. Ed. Golden, Catherine J.. New Castle: Oak Knoll, 2000. 31–59.Google Scholar
Boase, T. S. R. “Illustrations of Shakespeare’s Plays in the Seventeenth and Eighteenth Centuries.” Journal of the Warburg and Courtauld Institutes 10 (1947): 83–108.Google Scholar
Fowler, James. “Picturing Romeo and Juliet.” Shakespeare Survey 49 (1996): 111–30. Cambridge Collections Online. Cambridge University Press. Accessed 19 December 2010. DOI:10.1017/CCOL0521570476.009.Google Scholar
Hammelmann, H. A. “Shakespeare’s First Illustrators.” Apollo (August 1968 Supplement): 1–4.Google Scholar
Merchant, W. Moelwyn. Shakespeare and the Artist. London: Oxford UP, 1959.Google Scholar
Pape, Walter, and Burwick, Frederick, eds. The Boydell Shakespeare Gallery. Bottrop: Peter Pomp, 1996.Google Scholar
Ray, Gordon. The Illustrator and the Book in England from 1790–1914. 1976. New York: Dover, 1991.Google Scholar
Sillars, Stuart. “Reading Illustrated Editions: Methodology and the Limits of Interpretation.” Shakespeare Survey 62 (2009). 162–81. Cambridge Collections Online. Cambridge University Press. Accessed 19 December 2010. DOI:10.1017/CCOL9780521111034.013.Google Scholar

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