Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-26T21:21:53.591Z Has data issue: false hasContentIssue false

248 - Character and Psychoanalytic Criticism

from Part XXV - Shakespeare and the Critics

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources cited

Arendt, Hannah. The Human Condition. 1958. Chicago: U of Chicago P, 1998.Google Scholar
Aristotle, . Poetics and Nichomachean Ethics. Ed. Barnes, Jonathan. 2 vols. Complete Works of Aristotle. Princeton: Princeton UP, 1984.Google Scholar
Beckwith, Sarah. Shakespeare and the Grammar of Forgiveness. Ithaca: Cornell UP, 2011.Google Scholar
Bevington, David. From Mankinde to Marlowe: Growth of Structure in the Popular Drama of Tudor England. Cambridge: Harvard UP, 1968.Google Scholar
Bradley, A. C. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, and Macbeth. 1904. Rpt. New York: Noonday, 1955.Google Scholar
Cavell, Stanley. Disowning Knowledge in Seven Plays by Shakespeare. 1987. Cambridge: Cambridge University Press, 2003.Google Scholar
Clarke, Mary Cowden. The Girlhood of Shakespeare’s Heroines. New York: Putnam, 1874.Google Scholar
Coleridge, Samuel Taylor. Coleridge’s Criticism of Shakespeare. Ed. Foakes, R. A.. London: Continuum, 2001.Google Scholar
Freud, Sigmund. The Standard Edition of the Complete Psychological Works. Ed. Strachey, James. 25 vols. London: Hogarth, 1957.Google Scholar
Gibson, James J. The Ecological Approach to Visual Perception. New York: Taylor and Francis, 1986.Google Scholar
Goldberg, Jonathan. Shakespeare’s Hand. Minneapolis: U of Minnesota P, 2003.Google Scholar
Gross, Kenneth. Shakespeare Is Shylock. Chicago: U of Chicago P, 2006.Google Scholar
Hazlitt, William. Characters of Shakespeare’s Plays and Lectures on the English Poets. London: Macmillan and Co., 1920.Google Scholar
Kantorowicz, Ernst. The King’s Two Bodies: A Study in Medieval Political Theology. Princeton: Princeton UP, 1957.Google Scholar
Knights, Lionel Charles. How Many Children Had Lady Macbeth? An Essay in the Theory and Practice of Shakespeare Criticism. Cambridge: G. Fraser, the Minority Press, 1933.Google Scholar
Kott, Jan. Shakespeare Our Contemporary. New York: Doubleday, 1964.Google Scholar
Kottman, Paul. A Politics of the Scene. Stanford: Stanford UP, 2008.Google Scholar
Nevo, Ruth. Shakespeare’s Other Language. London: Methuen, 1987.Google Scholar
Noë, Alvin. Action in Perception. Cambridge: MIT P, 2004.Google Scholar
Palfrey, Simon. Doing Shakespeare. London: Methuen, 2005.Google Scholar
Paster, Gail Kern. Humoring the Body: Emotions and the Shakespearean Stage. Chicago: U of Chicago P, 2004.Google Scholar
Reinhard, Kenneth, and Lupton, Julia Reinhard. After Oedipus: Shakespeare in Psychoanalysis. Ithaca: Cornell UP, 1993. Rpt. Aurora: Davies, 2009.Google Scholar
Theophrastus, . Characters. Trans. Rusten, Jeffrey. Loeb Library. Cambridge: Harvard UP, 2003.Google Scholar
Zupančič, Alenka. The Odd One In: On Comedy. Cambridge: MIT, 2008.Google Scholar

Further reading

Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest. New York: Routledge, 1992.Google Scholar
Armstrong, Philip. Shakespeare in Psychoanalysis. London: Routledge, 2001.Google Scholar
Daniel, Drew. The Melancholy Assemblage: Affect and Epistemology in the English Renaissance. New York: Fordham UP, 2013.CrossRefGoogle Scholar
Fineman, Joel. The Subjectivity Effect in Western Literary Tradition: Essays Towards the Release of Shakespeare’s Will. Cambridge: MIT P, 1991.Google Scholar
Harris, Jonathan Gil. Shakespeare and Literary Theory. Oxford: Oxford UP, 2010.Google Scholar
Holland, Norman. Psychoanalysis and Shakespeare. New York: Octagon Books, 1976.Google Scholar
Schwartz, Murray, and Kahn, Coppélia, eds. Representing Shakespeare: New Psychoanalytic Essays. Baltimore: Johns Hopkins UP, 1980.Google Scholar
Žižek, Slavoj. Enjoy Your Symptom! London: Routledge, 2001.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×