Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Introduction
- 185 Canonization and Obsolescence: Classic Translations versus Retranslations
- 186 Signing Shakespeare (ASL)
- 187 Shakespeare into Creole
- 188 Translating Shakespeare for the Screen
- 189 Translating Shakespeare for Performance
- 190 Idioms, Proverbs, Quotations: Shakespeare’s Influence on Language Evolution
- 191 Shakespeare’s Entry into the Arabic World
- 192 The Merchant of Venice in the Jewish Diaspora: German, Hebrew, Yiddish
- 193 Shakespeare Translations in Asia
- 194 The Cultural Politics of Spanish Translations
- 195 Shakespeare without Sweat: Updating and Simplifying Shakespeare’s English
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
194 - The Cultural Politics of Spanish Translations
from Part XIX - Translation
Published online by Cambridge University Press: 17 August 2019
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Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Introduction
- 185 Canonization and Obsolescence: Classic Translations versus Retranslations
- 186 Signing Shakespeare (ASL)
- 187 Shakespeare into Creole
- 188 Translating Shakespeare for the Screen
- 189 Translating Shakespeare for Performance
- 190 Idioms, Proverbs, Quotations: Shakespeare’s Influence on Language Evolution
- 191 Shakespeare’s Entry into the Arabic World
- 192 The Merchant of Venice in the Jewish Diaspora: German, Hebrew, Yiddish
- 193 Shakespeare Translations in Asia
- 194 The Cultural Politics of Spanish Translations
- 195 Shakespeare without Sweat: Updating and Simplifying Shakespeare’s English
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
Ackermann, RudolphAstrana Marín, LuisBlanco White, Josephcultural politics of translationFernández de Moratín, Leandroliterary identityModenessi, Alfredo Michelpoetic translationPujante, Ángel Luisreception in Spainreception in Spanish AmericaShakespeare as cultural icontransatlantic relationstranslations into Spanishtranslations of the playstranslations of the poemsVelasco y Rojas, Matías de
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1405 - 1409Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Almeida, Joselyn. “Blanco White and the Making of Anglo-Hispanic Romanticism.” European Romantic Review 17.4 (2006): 437–56.CrossRefGoogle Scholar
Bistué, Belén. “Negotiating the Universal: Translations of Shakespeare’s Poetry in (between) Spain and Spanish America.” Oxford Handbook of Shakespeare’s Poetry. Ed. Post, Jonathan. Oxford: Oxford UP, 2013. 689–908.Google Scholar
Bistué, Belén. “Traducciones de la poesía de Shakespeare al español – Bibliografía.” Centro de Literatura Comparada, Facultad de Filosofía y Letras, Universidad Nacional de Cuyo, 2012.Google Scholar
FitzGerald, Thomas A. “Shakespeare in Spain and Spanish America.” Modern Language Journal 35.8 (1951): 589–94.CrossRefGoogle Scholar
González, José Manuel, ed. Spanish Studies in Shakespeare and His Contemporaries. Newark: U of Delaware P, 2006.Google Scholar
González, José Manuel, and Klein, Holger, eds. Shakespeare and Spain. Spec. issue of The Shakespeare Yearbook 13 (2002).Google Scholar
Gregor, Keith. Shakespeare in the Spanish Theatre: 1772 to the Present. London: Continuum, 2010.Google Scholar
Montezanti, Miguel Ángel. “Shakespeare’s Sonnets in the River Plate Area (Argentina).” Shakespeare’s Sonnets for the First Time Globally Reprinted: A Quatercentenary Anthology. Ed. Pfister, Manfred and Gutsch, Jürgen. Dozwil: Edition Signathur, 2009. 631–40.Google Scholar
Pujante, Ángel Luis. “The Importance of Being Musical. The Sonnets in Latin American Spanish (except Argentina).” Shakespeare’s Sonnets for the First Time Globally Reprinted: A Quatercentenary Anthology. Ed. Pfister, Manfred and Gutsch, Jürgen. Dozwil: Edition Signathur, 2009. 633–43.Google Scholar
Pujante, Ángel Luis, and Hoenselaars, Ton, eds. Four Hundred Years of Shakespeare in Europe. Newark: U of Delaware P, 2003.Google Scholar
Roldán Vera, Eugenia. The British Book Trade and Spanish American Independence: Education and Knowledge Transmission in Transcontinental Perspective. Aldershot: Ashgate, 2003.Google Scholar
SH.ES.TRA. Shakespeare en España en Traducción. Shakespeare en España: En el marco de su recepción europea. 2005. http://www.um.es/shakespeare/shestra/.Google Scholar