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58 - Decorative Arts

from Part VI - Visual Arts

Published online by Cambridge University Press:  17 August 2019

By
Anthony Wells-Cole
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

Bess of HardwickCecil, WilliamCountess of Shrewsburyde Vos, MaartenElizabethNine WorthiesovermantelsOvidparablespublicationreligion
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 448 - 456
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

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Further reading

Barker, Nicolas. The Great Book of Thomas Trevilian: A Facsimile of the Manuscript in the Wormsley Library. London: The Roxburghe Club, 2000.Google Scholar
Bath, Michael. “Was There a Guide Palace in Edinburgh?” All Manner of Murals: The History, Techniques and Conservation of Secular Wall Paintings. Ed. Growing, Robert and Pender, Robyn. London: Archetype Books, 2007.Google Scholar
Hamling, Tara. Decorating the “Godly” Household: Religious Art in Post-Reformation Britain. New Haven: Yale UP, 2010.Google Scholar
Jones, Malcolm. “Engraved Works in the Stationers’ ‘Registers,’ 1562–1656: A Listing and Commentary.” Walpole Society 64 (2002).Google Scholar
Jones, Malcolm. The Print in Early Modern England: An Historical Oversight. New Haven: Yale UP, 2010.Google Scholar
Parry, Graham. The Arts of the Anglican Counter-Reformation: Glory, Land and Honour. Woodbridge: Boydell, 2006.Google Scholar
Sutton, James M. “The Decorative Program at Elizabethan Theobalds: Educating an Heir and Promoting a Dynasty.” Decorative Arts: The Bard Graduate Center for Studies in the Decorative Arts (fall–winter, 1999–2000).Google Scholar

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