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53 - Emblems

from Part VI - Visual Arts

Published online by Cambridge University Press:  17 August 2019

By
Charles Moseley
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

Alciato, Andreashieroglyphsimagesinscriptiointerdependent artmaximsmedievalOvidpicturasubscriptio
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 407 - 417
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Alciato, Andreas. Emblematum Liber. Augsburg: 1531. http://www.mun.ca/alciato/.Google Scholar
Bacon, Francis. The tvvoo bookes of Francis Bacon. Of the proficience and aduancement of learning, diuine and humane To the King. London: 1605.Google Scholar
Cotgrave, Randle. A dictionarie of the French and English [t]ongues. Compiled by Randle Cotgrave. London: Adam Islip, 1611.Google Scholar
De la Perrière, Guillaume. Le Théâtre de Bons Engins. Paris: 1539. http://www.emblems.arts.gla.ac.uk/french/books.php?id=FLPa.Google Scholar
Estienne, Henri. L’Art de faire les Devises. Trans. Blount, Thomas. London: Richard Royston, 1646.Google Scholar
Gent, Lucy. Picture and Poetry, 1560–1620: Relations between Literature and the Visual Arts in the English Renaissance. Leamington Spa: James Hall, 1981.Google Scholar
Lecercle, François. La Chimère de Zeuxis: Portrait poétique et portrait peint en France et en Italie à la Renaissance. Tübingen: Gunter Narr Verlag, 1987.Google Scholar
Migne, Jacques-Paul. Patrologia Latina. 217 vols. Paris: 1844–1855.Google Scholar
Moseley, C. W. R. D. “Cleopatra’s Prudence: Three Notes on the Use of Emblems in Antony and Cleopatra.” Shakespeare Jahrbuch (West) (1986): 119–37.Google Scholar
Moseley, C. W. R. D. “A Portrait of Sir Christopher Hatton, Erasmus and an Emblem of Alciato: Some questions.” The Antiquaries’ Journal 86 (2006): 373–79.Google Scholar
Moseley, C. W. R. D. Shakespeare’s King Henry IV. Humanities ebooks.co.uk, 2007.Google Scholar
Paradin, Claude. Devises Héroïques. Lyons: 1557. http://www.emblems.arts.gla.ac.uk/french/books.php?id=FPAb.Google Scholar
Peacham, Henry. The Art of Draining. London: 1606.Google Scholar
Quarles, Francis. Emblemes. London: 1635.Google Scholar
Whitney, Geoffrey. A Choice of Emblems. Leiden: 1586. http://www.emblems.arts.gla.ac.uk/french/books.php?id=FPAb.Google Scholar
Wither, George. A collection of Emblems. London: 1635. http://emblem.libraries.psu.edu/withetoc.htm.Google Scholar

Further reading

Bath, Michael. Speaking Pictures: English Emblem Books and Renaissance Culture. London: Longman, 1994.Google Scholar
Daly, Peter M. Literature in the Light of the Emblem: Structural Parallels between the Emblem and Literature in the Sixteenth and Seventeenth Centuries. Toronto: U of Toronto P, 1998.Google Scholar
Freeman, Rosemary. English Emblem Books. London: Chatto and Windus, 1948. Rpt. Octagon Books, 1966.Google Scholar
Green, H. Shax and the Emblem Writers: An Exposition of Their Similarities of Thought and Expression. London: Trubner, 1870.Google Scholar
Manning, John. The Emblem. London: Reaktion, 2002.Google Scholar
Moffitt, John Francis. Andrea Alciati. Jefferson: McFarland and Company, 2004.Google Scholar
Moseley, C. W. R. D. A Century of Emblems: An Introduction to the Renaissance Emblem. Aldershot: Scolar, 1989.Google Scholar

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